Creepshow

Published 1982 · 66 pages · 18,150 words · about 1 hour at an average pace · Horror, Graphic Novel, Short Fiction

How hard is Creepshow to read?

Creepshow scores 21 out of 100 for difficulty on ReadingRate, making it relatively accessible. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 18 out of 100
The comic uses plain, pulpy captions and punchy dialogue in the manner of 1950s horror comics. Like Beach Read, its language is everyday and never demands a dictionary.
Sentence structure: 20 out of 100
Short captions and speech balloons keep sentences brief and declarative. The grammar is closer to The Diary of a Young Girl than to any literary prose.
Abstraction: 18 out of 100
Every tale rests on concrete events: a corpse at dinner, a meteorite, a crate, a beach. Like Asterix the Gaul, it is pure genre adventure with no theory behind it.
Information density: 22 out of 100
Five self-contained stories fill about 18,000 words, and the panels carry much of the information. The pace is light and the reveals are easy to follow, like The Housemaid.
Narrative indirection: 15 out of 100
The stories state their events and their moral outright, and the host announces each comeuppance. What you see is what you get, as in Beach Read.
Symbolic density: 25 out of 100
Greed, guilt and contagion are signposted through the meteorite growth, the crate and the roaches. The symbols are obvious and operate more simply than the allegory in 1984.
Ironic distance: 35 out of 100
The tales are written with a wink: gallows humour and cartoonish punishments mock the villains. The irony is broad and sincere about its fun, well short of Gogol or Nabokov.
Resolution withholding: 100 out of 100
Every story closes on a clear, grisly payoff in the EC Comics tradition. Like the genre-expected ending of Beach Read, resolution is guaranteed.
Structural complexity: 22 out of 100
Five linear tales sit inside a simple framing device. This is a plain anthology structure, as direct as the diary form of Anne Frank.

How Creepshow is regarded

Creepshow holds a literary regard score of 35 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.