Hey Boy by A.W.W. Bremont

Published 2019 · 106 pages · 29,150 words · about 2 hours at an average pace · Modernist & Experimental Fiction, Horror

How hard is Hey Boy to read?

Hey Boy scores 54 out of 100 for difficulty on ReadingRate, making it quite demanding. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 35 out of 100
Nothing indicates specialised or archaic vocabulary in this short contemporary novel from an independent press. The subjects, from pop music to substances, suggest everyday modern diction. It sits near the accessible contemporary anchors such as Beach Read.
Sentence structure: 80 out of 100
Bremont writes the whole novel as a single sentence, which puts unusual demands on the reader's tracking of clauses. Compared with the unpunctuated Molly Bloom monologue in Ulysses, the form is similar, but at 29,150 words it runs far longer without a break.
Abstraction: 50 out of 100
The blurb's talk of the fact of fiction and the fiction of fact points to some conceptual framing. The listed content, from sex and money to violence and cannibalism, is concrete experience.
Information density: 45 out of 100
At 106 pages and under 30,000 words, the book is compact. A single-sentence form of episodes can feel dense in the reading, but nothing suggests encyclopedic detail.
Narrative indirection: 60 out of 100
Reader reviews call it experimental, and the blurb plays with fiction and fact. The reader likely has to infer meaning from a sequence of episodes. Evidence is thin, so the score stays moderate.
Symbolic density: 50 out of 100
Reviewers read the book as a commentary on the ills of the world and a diseased mind. That implies some allegorical weight, but no specific motifs are documented.
Ironic distance: 50 out of 100
The blurb's fact and fiction wordplay hints at a knowing, detached stance. No evidence shows how far text and meaning diverge.
Resolution withholding: 55 out of 100
The protagonist's run of empty experiences ends in death, per the blurb, which suggests some closure. The single-sentence form and experimental design likely leave meaning open.
Structural complexity: 60 out of 100
The single-sentence construction is a formal experiment that sets the book apart from linear narratives. Its short length and episodic sequence keep it simpler than Flights or Ulysses.

How Hey Boy is regarded

Hey Boy holds a literary regard score of 90 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

A.W.W. Bremont