Отвлечение
27,500 words · about 2 hours at an average pace · Literary Fiction
How hard is Отвлечение to read?
Отвлечение scores 41 out of 100 for difficulty on ReadingRate, making it moderately challenging. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.
- Vocabulary: 45 out of 100
- At 27,500 words the work is short, and no evidence shows its register. Without a known style, it sits at a moderate midpoint, between The Great Gatsby and Beach Read.
- Sentence structure: 45 out of 100
- Nothing is known about the sentence construction of this short work. A middle placement, near The Remains of the Day, reflects that gap.
- Abstraction: 45 out of 100
- No subject or approach is documented for this short book. A midpoint score, near The Remains of the Day, avoids claiming philosophical or concrete content.
- Information density: 40 out of 100
- A length of 27,500 words suggests a compact work, but nothing shows how much it packs in. The score sits between Beach Read and The Great Gatsby.
- Narrative indirection: 45 out of 100
- No evidence describes how the story is told. The score stays at a neutral mid-low level, near To Kill a Mockingbird.
- Symbolic density: 40 out of 100
- Nothing is known about motifs or allegory in this book. A neutral placement near The Remains of the Day avoids invented claims.
- Ironic distance: 35 out of 100
- No information shows the tone or narrator's stance. A cautious score between It Ends with Us and The Great Gatsby reflects that.
- Resolution withholding: 45 out of 100
- The ending and its openness are unknown. A neutral score, between Beach Read and The Great Gatsby, reflects that gap.
- Structural complexity: 35 out of 100
- A short work of 27,500 words probably has a simple shape, but nothing confirms it. The score stays near the low-middle, between Beach Read and The Great Gatsby.
How Отвлечение is regarded
Отвлечение holds a literary regard score of 16 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.