Tom Jones by Henry Fielding

Published 1749 · 314 pages · 367,128 words · about 24 hours at an average pace · Fiction, Picaresque, Comedy, Romance

How hard is Tom Jones to read?

Tom Jones scores 47 out of 100 for difficulty on ReadingRate, making it moderately challenging. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 68 out of 100
Fielding's 18th-century prose features a formal and expansive vocabulary, including archaic terms and specialized jargon. The footnotes clarify Latin phrases like "desiderium" and specific logical terms, alongside period-specific boxing slang such as "cross-buttocks." Readers frequently encounter words or phrases whose meanings are not immediately obvious without historical context.
Sentence structure: 62 out of 100
Fielding employs the elaborate sentence structures characteristic of 18th-century prose, often featuring multiple subordinate clauses and parenthetical asides. While generally clear, these lengthy constructions demand sustained attention to follow the flow of thought and intricate relationships between ideas. The prose is more grammatically demanding than contemporary fiction, requiring careful parsing.
Abstraction: 68 out of 100
Beyond its concrete narrative, "Tom Jones" frequently delves into abstract moral and philosophical considerations through extensive authorial commentary. Fielding's narrator offers digressions on human nature, virtue, and societal norms, as evidenced by footnotes discussing "persons without virtue or sense" or the "scandal of the law, of the nation, of Christianity, and even of human nature itself." This requires readers to engage with underlying theoretical content alongside the plot.
Information density: 68 out of 100
Fielding packs his narrative with intricate plotlines, a vast cast of characters, and detailed social observations of 18th-century England. The text demands close attention to absorb the nuances of character motivation, satirical commentary, and the specific historical context, such as the 1747 boxing advertisement mentioned in a footnote. The density comes from the rich tapestry of human interaction and societal critique presented.
Narrative indirection: 25 out of 100
Fielding's omniscient narrator is highly intrusive and didactic, frequently pausing the narrative to directly address the reader, explain character motivations, and explicitly state moral lessons. This direct exposition minimizes the need for readers to infer meaning, as the author's intent and the story's implications are often explicitly laid out.
Symbolic density: 20 out of 100
The novel primarily conveys its meaning through literal events, character actions, and the narrator's explicit social and moral commentary, rather than through pervasive or deeply embedded symbolism. While themes are present, they are not typically communicated through a dense network of motifs or allegorical representations.
Ironic distance: 75 out of 100
Fielding's narrator consistently employs a sophisticated and pervasive ironic voice, often using mock-heroic language, feigned naivete, or exaggerated praise to subtly critique characters and societal conventions. This creates a substantial gap between the literal statements and the author's underlying satirical intent, requiring readers to constantly interpret against the surface meaning.
Resolution withholding: 30 out of 100
The novel features a conventional and highly satisfying resolution, meticulously tying up all major plotlines, revealing crucial identities, and ensuring that justice is clearly dispensed to all characters. There is minimal ambiguity or resistance to closure regarding the ultimate fates or moral outcomes presented.
Structural complexity: 45 out of 100
While the narrative generally follows a linear, chronological progression, the novel incorporates frequent and extensive authorial intrusions, digressions, and philosophical essays that interrupt the plot. These formal experiments, though not involving fragmented timelines or radical POV shifts, add a layer of meta-textual complexity to the reading experience.

How Tom Jones is regarded

Tom Jones holds a literary regard score of 82 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

Henry Fielding