The 100 best moderately difficult books about identity and the self

Six Characters in Search of an Author by Luigi Pirandello, Twelfth Night by William Shakespeare and As You Like It by William Shakespeare lead the 100 best moderately difficult books about identity and the self, ranked by literary regard. To start, Orlando by Virginia Woolf is the most approachable of the highly regarded books here, about 5.2 hours to read.

Each point of light is one of the 100, placed by how hard it is to read. The brighter, the higher it ranks. The dotted line is one way up.

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No. 1 of 100

Six Characters in Search of an Author

Luigi Pirandello · 1921

Difficulty 64/1001.9 hours

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Readable here · 30

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Showing 100 books

About 653 hours for 100 of 100 books with measured lengths. Estimates use 250 words a minute, adjusted for each book's difficulty. At 2 hours a day, about 327 days for those books.

1–10 · 27 hours
  1. No. 1 on this list. Six Characters in Search of an Author

    Luigi Pirandello · 1921

    Challenging1.9 hours

    Taught in schools: UNAM Escuela Nacional Preparatoria – programas de Literatura (Mexico)

    Included in: Great Books of the Western World

    Pirandello sent six fictional characters onto a stage to confront the actors rehearsing their story, detonating the boundary between author, character, and performer decades before anyone used the word "metafiction." The play asked who owns a story — the person who wrote it or the person who lives it — and left the question permanently unresolved.

  2. No. 2 on this list. Twelfth Night

    William Shakespeare · 1602

    Challenging1.8 hours

    Taught in schools: AQA GCSE and A-level English Literature (UK), CAPE Literatures in English – Caribbean Examinations Council, Pearson Edexcel GCSE and A-level English Literature (UK)

    Included in: Great Books of the Western World

    Twelfth Night is among the most widely taught and performed Shakespeare comedies and a near-universal fixture in secondary school and university Shakespeare curricula. Its themes of disguise, gender ambiguity, and unrequited love have made it a central text in gender studies, queer theory, and Renaissance drama courses. It appears on more syllabi than any other Shakespeare comedy except perhaps A Midsummer Night's Dream.

  3. No. 3 on this list. As You Like It

    William Shakespeare · 1600

    Moderate1.6 hours

    Taught in schools: CSEC English B – Caribbean Examinations Council, WBCHSE English and Alternative English syllabuses (India)

    Included in: Great Books of the Western World

    As You Like It appears on thousands of university syllabi worldwide and is regularly staged by major theater companies. Its central monologue — 'All the world's a stage' — is among the most quoted passages in English literature, cementing its place in the core Shakespeare canon alongside Hamlet and Midsummer Night's Dream.

  4. Frost appears on virtually every American high school and university English curriculum. 'The Road Not Taken,' 'Mending Wall,' and 'Stopping by Woods on a Snowy Evening' are among the most-taught poems in the English language, and the Collected Poems is the standard edition used in academic settings. His work is a fixture of the canon in a way shared by almost no other 20th-century American poet.

  5. No. 5 on this list. Richard III

    William Shakespeare · 1597

    Challenging2.8 hours

    Taught in schools: CAPE Literatures in English – Caribbean Examinations Council

    Included in: Great Books of the Western World

    Richard III is among the most frequently performed Shakespeare plays and a staple of secondary school and university curricula worldwide. Its opening monologue — 'Now is the winter of our discontent' — is among the most memorized passages in English literature. The play appears on virtually every Shakespeare survey and features in courses on history plays, villainy, and political drama.

  6. No. 6 on this list. The Metamorphosis

    Franz Kafka · 1915

    Moderate1.4 hours

    Taught in schools: Common Core text exemplars (Appendix B) (US), Lithuanian literature curriculum (lietuvių kalba ir literatūra)

    Included in: Great Books of the Western World

    The Metamorphosis appears in Wikipedia across 70 languages and has been in continuous print for over a century via Penguin Modern Classics and dozens of other prestige publishers. It is taught in comparative literature, modernism, and world literature courses at universities globally. The Open Syllabus data (0 appearances) likely reflects the novella being assigned within collected editions rather than as a standalone text.

  7. No. 7 on this list. Ajax

    Sophocles · c. 450 BCE

    Challenging56 min

    Included in: Great Books of the Western World

    Ajax is required reading in classical studies and Greek tragedy courses worldwide, representing one of only seven surviving plays by Sophocles. As part of the canonical triumvirate of Greek tragedians alongside Aeschylus and Euripides, Sophocles's works — including Ajax — appear on syllabi in classics, comparative literature, and world literature programs across every major university. The play has been in continuous circulation for over 2,400 years.

  8. No. 8 on this list. Leaves of Grass

    Walt Whitman · 1855

    Moderate8.5 hours

    Included in: Bokklubben World Library

    Whitman's opening salvo—"I celebrate myself, and sing myself"—broke every rule of Victorian verse: no fixed meter, no rhyme, no inherited diction, just the American vernacular cataloging dockworkers, prostitutes, and prairies in ecstatic cadences. Every free-verse poet since writes in the wake of this book.

  9. No. 9 on this list. The Bacchae

    Euripides · c. 405 BCE

    Moderate1.3 hours

    Included in: Great Books of the Western World, Oxford World's Classics

    One of 18 surviving tragedies from Euripides, performed continuously since antiquity. Central to Greek drama syllabi worldwide, frequently translated and adapted (including Dionysus in 69, The Bacchae 2.1). Essential text for understanding both Greek tragedy's development and the cultural conflicts of 5th-century Athens. Influenced later treatments of divine-human conflict from Ovid's Metamorphoses to modern drama.

  10. No. 10 on this list. The Bourgeois Gentleman

    Molière · 1670

    Moderate1.2 hours

    Included in: Great Books of the Western World

    Le Bourgeois Gentilhomme is required reading in French literature courses worldwide and appears in virtually every major world drama anthology. Commissioned by Louis XIV for the royal court in 1670, it has remained one of Molière's most performed plays for over three and a half centuries, cementing its place among the indispensable works of European theater.

11–20 · 87 hours
  1. No. 11 on this list. Three Sisters · Anton Chekhov · 1901

    Taught in schools: Hungarian literature curriculum (magyar nyelv és irodalom) (Hungary), Russian FGOS literature standard

    Taught in every course on modern drama and staged continuously by major companies since its 1901 Moscow Art Theatre premiere. The sisters' longing for Moscow is one of the best-known situations in world theatre.

    Challenging2.4 hours

    Read now
  2. No. 12 on this list. The Lady with the Dog · Anton Chekhov · 1899

    Taught in schools: Russian FGOS literature standard

    Among the most anthologized and taught short stories in any language, a staple of fiction courses and writing workshops. It is frequently named as the greatest short story ever written.

    Challenging32 min

    Read now
  3. No. 13 on this list. A Doll's House · Henrik Ibsen · 1879

    Taught in schools: AQA GCSE and A-level English Literature (UK), Common Core text exemplars (Appendix B) (US), Leaving Certificate English – NCCA / State Examinations Commission (Ireland)

    Included in: Bokklubben World Library, Great Books of the Western World

    Ibsen made a wife walk out on her husband and children in the final scene, and the sound of that door slamming ricocheted across Europe, igniting debates about marriage, autonomy, and women's legal personhood that reshaped law and culture for the next century. The play invented modern social drama by treating a domestic argument as a political event.

    Moderate1.8 hours

    Read now
  4. No. 14 on this list. Orlando · Virginia Woolf · 1928

    Taught in schools: UNAM Escuela Nacional Preparatoria – programas de Literatura (Mexico)

    Orlando appears on university syllabi worldwide in modernist literature, gender studies, feminist theory, and LGBTQ+ studies courses — one of the few novels to anchor multiple disciplines simultaneously. It features on Modern Library's 100 Best Novels list and is discussed in virtually every survey of 20th-century British fiction. Woolf's stature guarantees its place in the canon regardless of pedagogical fashion.

    Moderate5.2 hours

    Start this book
  5. No. 15 on this list. The Adventures of Augie March · Saul Bellow · 1954

    Taught in schools: Common Core text exemplars (Appendix B) (US)

    Bellow opened the floodgates of American prose with a first sentence — "I am an American, Chicago born" — that declared the immigrant son's right to the whole language, high and low, lyrical and street-smart, in a single breath. The novel proved that the American picaresque could carry philosophical weight without sacrificing velocity, and it liberated a generation of novelists from Hemingway's tight-lipped restraint.

    Challenging19 hours

    Start this book
  6. No. 16 on this list. A House for Mr. Biswas · V.S. Naipaul · 1961

    Taught in schools: CSEC English B – Caribbean Examinations Council

    Naipaul tracked one man's forty-year struggle to own a house of his own in colonial Trinidad, and by treating that modest ambition with the gravity of epic, wrote the definitive novel about the immigrant's war between dignity and dispossession. Mr. Biswas's defeats are so granular and so cumulative that the house, when it finally comes, means more than any literary symbol has a right to.

    Moderate13 hours

    Start this book
  7. No. 17 on this list. House Made of Dawn · N. Scott Momaday · 1969

    House Made of Dawn appears on virtually every Native American literature syllabus and most American literature surveys covering the post-1960 period. It is the foundational text of the Native American literary renaissance and required reading in courses on multicultural American literature, modernism, and postwar fiction.

    Challenging5.6 hours

    Start this book
  8. No. 18 on this list. Collected Stories · William Faulkner · 1951

    Collected Stories won the National Book Award in 1951 and remains central to American short fiction canon. These stories appear regularly in anthologies and academic syllabi. While perhaps overshadowed by Faulkner's novels, the collection represents an essential component of his Yoknapatawpha saga and demonstrates his mastery across forms.

    Challenging22 hours

    Start this book
  9. No. 19 on this list. The Prelude · William Wordsworth · 1850

    A fixture of every survey of English Romanticism and nearly every anthology of British poetry, though as a single long poem it draws less raw syllabus volume than assigned novels—closer to Beloved's discipline-specific canonicity than a mass-market fixture like Gatsby.

    Challenging4.6 hours

    Start this book
  10. No. 20 on this list. Jane Eyre · Charlotte Brontë · 1847

    Taught in schools: AQA GCSE and A-level English Literature (UK), Common Core text exemplars (Appendix B) (US), CSEC English B – Caribbean Examinations Council

    Appears on 6,194 university syllabi according to Open Syllabus — placing it at the 94.8th percentile — and its Wikipedia article spans 59 languages with dedicated Reception and Adaptations sections. Jane Eyre is a fixture of Victorian literature courses worldwide and features on both the Open Syllabus Top 500 Literature list and the BBC Big Read Top 100.

    Moderate13 hours

    Read now
21–30 · 46 hours
  1. No. 21 on this list. The Wild Duck · Henrik Ibsen · 1884

    Taught in schools: Hungarian literature curriculum (magyar nyelv és irodalom) (Hungary)

    Included in: Great Books of the Western World

    The Wild Duck is a cornerstone of the Western dramatic canon, taught in virtually every university drama program and included in all standard collections of world theater. Though the database returns no syllabus count, Ibsen is the most taught non-English-language playwright in English-speaking universities, and this play—alongside Hedda Gabler and A Doll's House—appears on every major drama syllabus. It is consistently ranked among Ibsen's finest works and among the ten most important plays of the nineteenth century.

    Moderate2.2 hours

    Start this book
  2. No. 22 on this list. Odyssey · Homer · c. 725 BCE

    Homer invented the homecoming plot: the cunning survivor who lies, adapts, and improvises his way back to the life he left behind. Three thousand years later, every story about the long way home — from Huckleberry Finn to Star Trek — runs on the engine the Odyssey built.

    Challenging8.6 hours

    Read now
  3. No. 23 on this list. Antigone · Sophocles · c. 441 BCE

    Taught in schools: Hungarian literature curriculum (magyar nyelv és irodalom) (Hungary), Lektury obowiązkowe – Polish national reading list (Poland), Montenegrin literature curriculum (crnogorski jezik i književnost) (Montenegro)

    Included in: Great Books of the Western World

    Sophocles gave a young woman one impossible choice — obey the state or bury her brother — and built from it the foundational argument about what happens when human law and moral law collide. Every subsequent debate about civil disobedience, from Thoreau to Martin Luther King, restates the question Antigone asked first.

    Moderate2.6 hours

    Read now
  4. No. 24 on this list. In Our Time · Ernest Hemingway · 1925

    In Our Time is widely taught in American literature survey courses as the foundational text of Hemingway's iceberg style. It appears on thousands of university syllabi and is the required starting point for understanding modernist short fiction in America. The Modern Library and most major American literature curricula treat it as essential.

    Challenging17 min

    Start this book
  5. No. 25 on this list. The Catcher in the Rye · J.D. Salinger · 1951

    Taught in schools: CSEC English B – Caribbean Examinations Council, Montenegrin literature curriculum (crnogorski jezik i književnost) (Montenegro)

    Appears on 1,046 university syllabi (75th percentile per Open Syllabus) and has Wikipedia articles in 66 languages, placing it among the most-taught American novels. Listed on the Modern Library 100 Best Novels, TIME All-TIME 100 Novels, and Le Monde's 100 Books of the Century — a fixture in American high school and university curricula since its 1951 publication.

    Challenging5.7 hours

    Start this book
  6. No. 26 on this list. Clarissa · Samuel Richardson · 1748

    Clarissa is a founding text of the English novel, appearing on virtually every 18th-century literature syllabus and in English doctoral programs worldwide. It features on the Modern Library and TIME All-TIME 100 lists and is treated as essential reading alongside Tom Jones and Robinson Crusoe. While database signals show no recorded syllabus appearances, this reflects data gaps rather than the book's actual canonical position — it is among the most studied British novels of any century.

    Challenging8.5 hours

    Start this book
  7. No. 27 on this list. The Strange Case of Dr Jekyll and Mr Hyde · Robert Louis Stevenson · 1886

    Taught in schools: AQA GCSE and A-level English Literature (UK), OCR GCSE and A-level English Literature (UK)

    One of the most widely taught Victorian texts in English literature curricula at every level, from secondary school to university. The phrase 'Jekyll and Hyde' has entered common English as a synonym for dual personality. The novella appears on virtually every list of essential 19th-century fiction and is a fixture in Gothic literature, Victorian studies, and psychology-and-literature courses worldwide.

    Challenging1.9 hours

    Read now
  8. No. 28 on this list. The Death of Artemio Cruz · Carlos Fuentes · 1962

    The Death of Artemio Cruz occupies a central position in the Latin American Boom canon and appears regularly in world literature curricula alongside works by García Márquez, Vargas Llosa, and Cortázar. It is widely considered Fuentes's masterpiece and a defining text of mid-20th-century experimental fiction. The novel remains in continuous print in multiple languages and features prominently in scholarly studies of modernist narrative technique.

    Challenging9.3 hours

    Start this book
  9. No. 29 on this list. Call to Arms · Lu Xun · 1923

    Lu Xun compressed the anguish of a civilization in crisis into stories so concentrated they read like detonations — a madman who discovers that Confucian morality is a euphemism for cannibalism, a revolutionary beheaded while the crowd scrambles for bread dipped in his blood. These stories broke Chinese fiction free from classical convention and became the foundational texts of modern Chinese literature.

    Challenging4.4 hours

    Start this book
  10. No. 30 on this list. The Conference of the Birds · Attar of Nishapur · 1177

    Recognized as one of the greatest works of Persian literature and a foundational text of Sufism. It ranks alongside the Quran and works by Rumi in Islamic intellectual tradition. Western literary canons increasingly recognize it as essential world literature.

    Challenging2.8 hours

    Start this book
31–40 · 95 hours
  1. No. 31 on this list. Their Eyes Were Watching God

    Zora Neale Hurston · 1937

    Taught in schools: Common Core text exemplars (Appendix B) (US)

  2. No. 32 on this list. A Sportsman's Sketches

    Ivan Turgenev · 1852

  3. No. 33 on this list. Shakuntala

    Kalidasa · 400

  4. No. 34 on this list. The Bell Jar

    Sylvia Plath · 1963

  5. No. 35 on this list. Dombey and Son

    Charles Dickens · 1848

  6. No. 36 on this list. The Iceman Cometh

    Eugene O'Neill · 1946

  7. No. 37 on this list. Paradise

    Toni Morrison · 1999

  8. No. 38 on this list. The Color Purple

    Alice Walker · 1983

    Taught in schools: AQA GCSE and A-level English Literature (UK), CSEC English B – Caribbean Examinations Council, Pearson Edexcel GCSE and A-level English Literature (UK)

  9. No. 39 on this list. Between the Acts

    Virginia Woolf · 1941

  10. No. 40 on this list. The Mirror and the Light

    Hilary Mantel · 2020

41–50 · 74 hours
  1. No. 41 on this list. Martin Chuzzlewit

    Charles Dickens · 1844

  2. No. 42 on this list. Life & Times of Michael K

    J.M. Coetzee · 1983

    Taught in schools: UNAM Escuela Nacional Preparatoria – programas de Literatura (Mexico)

  3. No. 43 on this list. The English Patient

    Michael Ondaatje · 1992

  4. No. 44 on this list. Never Let Me Go

    Kazuo Ishiguro · 2005

    Taught in schools: AQA GCSE and A-level English Literature (UK), OCR GCSE and A-level English Literature (UK), Pearson Edexcel GCSE and A-level English Literature (UK)

  5. No. 45 on this list. The Selected Works of Audre Lorde

    Audre Lorde · 2020

  6. No. 46 on this list. The Left Hand of Darkness

    Ursula K Le Guin · 1969

  7. No. 47 on this list. The Inspector General

    Nikolai Gogol · 1836

  8. No. 48 on this list. Herzog

    Saul Bellow · 1965

  9. No. 49 on this list. The Piano Lesson

    August Wilson · 1987

  10. No. 50 on this list. Poet in New York

    Federico García Lorca · 1940

51–60 · 80 hours
  1. No. 51 on this list. The Mystery of Edwin Drood

    Charles Dickens · 1870

  2. No. 52 on this list. Moll Flanders

    Daniel Defoe · 1722

  3. No. 53 on this list. A Grain of Wheat

    Ngugi wa Thiong'o · 1967

    Included in: Heinemann African Writers Series

  4. No. 54 on this list. Selected Poems of Marina Tsvetaeva

    Marina Tsvetaeva

  5. No. 55 on this list. Lord Jim

    Joseph Conrad · 1900

    Taught in schools: CSEC English B – Caribbean Examinations Council

  6. No. 56 on this list. Tom Jones

    Henry Fielding · 1749

    Included in: Great Books of the Western World

  7. No. 57 on this list. Exile and the Kingdom

    Albert Camus · 1957

  8. No. 58 on this list. Villette

    Charlotte Brontë · 1853

  9. No. 59 on this list. Siddhartha

    Hermann Hesse · 1922

  10. No. 60 on this list. Krapp's Last Tape

    Samuel Beckett · 1958

61–70 · 74 hours
  1. No. 61 on this list. Dreamtigers

    Jorge Luis Borges · 1960

  2. No. 62 on this list. Runaway

    Alice Munro · 2004

  3. No. 63 on this list. Rosmersholm

    Henrik Ibsen · 1886

  4. No. 64 on this list. The Conservationist

    Nadine Gordimer · 1974

  5. No. 65 on this list. Six Feet of the Country

    Nadine Gordimer · 1956

  6. No. 66 on this list. The Awakening

    Kate Chopin · 1899

    Taught in schools: AQA GCSE and A-level English Literature (UK)

  7. No. 67 on this list. Tar Baby

    Toni Morrison · 1981

  8. No. 68 on this list. Field Work

    Seamus Heaney · 1979

    Taught in schools: WJEC/Eduqas GCSE and A-level English Literature (UK)

  9. No. 69 on this list. The Count of Monte Cristo

    Alexandre Dumas · 1844

  10. No. 70 on this list. Main Street

    Sinclair Lewis · 1920

71–80 · 33 hours
  1. No. 71 on this list. The Book of Laughter and Forgetting

    Milan Kundera · 1979

  2. No. 72 on this list. Housekeeping

    Marilynne Robinson · 1980

  3. No. 73 on this list. Athalie

    Jean Racine · 1691

  4. No. 74 on this list. Diary of a Madman

    Nikolai Gogol · 1835

  5. No. 75 on this list. The Nose

    Nikolai Gogol · 1836

    Taught in schools: Hungarian literature curriculum (magyar nyelv és irodalom) (Hungary)

  6. No. 76 on this list. Ward No. 6

    Anton Chekhov · 1892

  7. No. 77 on this list. The Notebooks of Malte Laurids Brigge

    Rainer Maria Rilke · 1910

  8. No. 78 on this list. Company

    Samuel Beckett · 1980

  9. No. 79 on this list. The Cossacks

    Leo Tolstoy · 1863

  10. No. 80 on this list. The Lottery and Other Stories

    Shirley Jackson · 1949

81–90 · 86 hours
  1. No. 81 on this list. The Home and the World

    Rabindranath Tagore · 1916

  2. No. 82 on this list. Tropic of Cancer

    Henry Miller · 1934

  3. No. 83 on this list. Tristia

    Ovid · 12

  4. No. 84 on this list. The Mill on the Floss

    George Eliot · 1860

    Taught in schools: AQA GCSE and A-level English Literature (UK)

  5. No. 85 on this list. Middlesex

    Jeffrey Eugenides · 2003

  6. No. 86 on this list. Rabbit Redux

    John Updike · 1971

  7. No. 87 on this list. The House on Mango Street

    Sandra Cisneros · 1984

    Taught in schools: CSEC English B – Caribbean Examinations Council, Pacific Senior Secondary Certificate – English

  8. No. 88 on this list. The Rainbow

    D.H. Lawrence · 1915

  9. No. 89 on this list. The Fixer

    Bernard Malamud · 1967

  10. No. 90 on this list. Canto General

    Pablo Neruda · 1950

    Taught in schools: Literatura, Diseño Curricular – Provincia de Buenos Aires (Argentina), UNAM Escuela Nacional Preparatoria – programas de Literatura (Mexico)

91–100 · 50 hours
  1. No. 91 on this list. A Wizard of Earthsea

    Ursula K Le Guin · 1968

  2. No. 92 on this list. The Beggar Maid

    Alice Munro · 1980

  3. No. 93 on this list. A Personal Matter

    Kenzaburō Ōe · 1964

  4. No. 94 on this list. Far from the Madding Crowd

    Thomas Hardy · 1874

    Taught in schools: CSEC English B – Caribbean Examinations Council

  5. No. 95 on this list. Saint Joan

    George Bernard Shaw · 1923

    Included in: Great Books of the Western World

  6. No. 96 on this list. The Prime of Miss Jean Brodie

    Muriel Spark · 1961

    Taught in schools: CSEC English B – Caribbean Examinations Council

  7. No. 97 on this list. Moscow to the End of the Line

    Venedikt Erofeev · 1973

  8. No. 98 on this list. The Lonely Londoners

    Sam Selvon · 1956

    Taught in schools: Pearson Edexcel GCSE and A-level English Literature (UK)

  9. No. 99 on this list. Seize the Day

    Saul Bellow · 1956

  10. No. 100 on this list. The Berlin Stories

    Christopher Isherwood · 1945

About this list

These 100 books are the highest-scoring eligible moderately difficult books about identity and the self currently in the catalogue. About 653 hours of reading in all. Difficulty runs from 52 to 59 out of 100 for the middle half of the list; the summit is Paradise at 65.

This list is ranked by literary regard, with a consistent order for equal scores. Membership follows authors and co-authors, not translators or editors. A book is here when ReadingRate files it under Identity & Self as one of its primary reading domains, at a confidence of 0.8 or more. Catalogue coverage and the historical canon both limit what this list can represent.

When we matched the Canons dataset to our catalogue in October 2026, our canonical-status scores rose with the number of school curricula, publisher series and lists in it that cite a work: the median score was 72 for books one such source cites, 84 at two, 88 at three, 92 at four and 93 at five or more. Prizes are left out of that count. Outside the state curricula, the dataset’s sources choose mostly from what has been translated into English or French, so it is a weaker check on other literatures. Source: Canons (Andrew Piper), CC BY 4.0

Questions people actually ask

What are the best moderately difficult books about identity and the self?
By literary regard, which weighs canonical status, critical standing and influence: Six Characters in Search of an Author by Luigi Pirandello, Twelfth Night by William Shakespeare, As You Like It by William Shakespeare, Collected Poems by Robert Frost and Richard III by William Shakespeare. ReadingRate ranks 100 such books, each with a difficulty score and a reading-time estimate.
Which moderately difficult books about identity and the self should I read first?
Start from difficulty, not from rank. The most approachable books on this list that still carry top literary regard are Orlando by Virginia Woolf (about 5.2 hours), Runaway by Alice Munro and Krapp's Last Tape by Samuel Beckett.
What are the shortest of the best moderately difficult books about identity and the self?
Among the top 25, the shortest are In Our Time by Ernest Hemingway (about 17 min), The Lady with the Dog by Anton Chekhov (about 32 min) and Ajax by Sophocles (about 56 min), at an average pace of 250 words a minute adjusted for each book's difficulty.
Which of the best moderately difficult books about identity and the self are the established classics?
By canonical status, how firmly a book sits in curricula, anthologies and the canon: Odyssey by Homer, Six Characters in Search of an Author by Luigi Pirandello, The Bacchae by Euripides, Twelfth Night by William Shakespeare and Collected Poems by Robert Frost.
Can I read any of these moderately difficult books about identity and the self for free?
30 of the 100 open in ReadingRate's reader with a free account, from public-domain editions: Six Characters in Search of an Author, Twelfth Night, As You Like It, Richard III, The Metamorphosis and 25 more.
How long would it take to read the top ten?
About 27 hours, at an average pace of 250 words a minute adjusted for each book's difficulty: 14 days at two hours a day. Set your own pace on the page and the list's reading times change to it.
How hard are moderately difficult books about identity and the self to read?
Most of this list sits between 52 and 59 on ReadingRate's 100-point difficulty scale, where 40 to 55 is moderate. The summit is Paradise at 65. Every entry carries its own score, so a reader can pick a great book at a difficulty they will finish.
How is this list ranked?
On literary-regard data: how canonically established a work is, its critical standing, and its influence on later writing. It is not a readers’ poll, which is why recent bestsellers rarely appear. Membership follows authors and co-authors, not translators or editors. Lists by country, author, period, theme or difficulty keep to literature (fiction, poetry, drama and philosophy), their novels, poems and plays first and their philosophy after them; a list of a kind of book, such as memoir or criticism, keeps every book of that kind. Every list holds at most three works by one author. A book is here when ReadingRate files it under Identity & Self as one of its primary reading domains, at a confidence of 0.8 or more.