The 100 best thrillers

Each point of light is one of the 100, placed by how hard it is to read. The brighter, the higher it ranks. The dotted line is one way up.

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No. 1 of 100

V.

Thomas Pynchon · 1963

Difficulty 80/10025 hours

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About 863 hours for 99 of 100 books with measured lengths. Estimates use 250 words a minute, adjusted for each book's difficulty. At 2 hours a day, about 432 days for those books.

1–10 · 134 hours
  1. No. 1 on this list. V.

    Thomas Pynchon · 1963

    Difficult25 hours

    V. appears on hundreds of university syllabi in American literature, postmodernism, and world fiction courses, and is consistently ranked among the essential American novels of the twentieth century by critics and scholars. It appears on the Modern Library 100 Best Novels list and Time magazine's All-TIME 100 Novels. Less universally assigned than Pynchon's Gravity's Rainbow in terms of academic prestige, but the more frequently taught first novel in postmodern American fiction sequences.

  2. Regularly included in syllabi for contemporary American literature and crime fiction courses. The 2007 Coen Brothers adaptation—Best Picture winner—dramatically expanded cultural reach and cemented the novel in the popular imagination. McCarthy's status as a major American literary figure ensures it appears on most critical inventories of important post-2000 American fiction.

  3. No. 3 on this list. The Secret Agent

    Joseph Conrad · 1907

    Difficult11 hours

    Taught in schools: WJEC/Eduqas GCSE and A-level English Literature (UK)

    The Secret Agent appears on the Modern Library 100 Best Novels list (1998) and has a Wikipedia article available in 17 languages with a dedicated reception section, indicating sustained critical discourse. It is regularly taught in university courses on modernism, political fiction, and the novel of ideas, though it occupies a secondary position in Conrad's own canon behind Heart of Darkness.

  4. Cryptonomicon occupies an unusual position: it is widely regarded as a landmark in its subgenre — techno-thriller crossed with literary novel — and is heavily referenced in discussions of fiction about cryptography, hacking culture, and digital privacy. It does not appear on standard literary syllabi, but it is routinely assigned in computer science departments, media studies courses, and cyberpunk/speculative fiction seminars. Its canonical status is high within its genre community but below the threshold of the broader literary canon.

  5. Widely taught in courses on Cold War literature and genre fiction, and routinely cited as the novel that elevated the spy thriller into literary fiction. It appears on TIME's 100 Best English-Language Novels (1923–2005) list, though its academic footprint remains smaller than a canonical literary novel like Beloved or Gatsby.

  6. Die verlorene Ehre der Katharina Blum is on Le Monde's 100 Books of the Century, with Wikipedia articles in 27 languages. It is a standard school and university text in Germany and in German courses abroad.

  7. Lust, Caution holds a firm place in the canon of modern Chinese literature, regarded as one of Eileen Chang's most psychologically penetrating works. Its stature was significantly amplified internationally following Ang Lee's acclaimed 2007 film adaptation, which drew global attention to Chang's fiction and cemented the novella's place among essential works of twentieth-century Chinese literature.

  8. Taught regularly in Victorian literature and detective/crime fiction courses at university level. The Woman in White is consistently recognized as the founding text of the sensation novel genre and appears on syllabi across English, comparative literature, and genre studies programs. Not at the level of Dickens or Hardy in breadth of assignment, but firmly in the Victorian canon.

  9. No. 9 on this list. And Then There Were None

    Agatha Christie · 1939

    Easy2.8 hours

    Taught in schools: Hungarian literature curriculum (magyar nyelv és irodalom) (Hungary)

    Christie's most celebrated novel holds a dominant place in the mystery canon and is widely recognized as the best-selling mystery of all time. It appears on virtually every 'greatest mysteries ever written' list — TIME's All-TIME 100 Novels, the BBC's Big Read — and is frequently taught in genre fiction courses. Its canonical standing within popular fiction far exceeds that of typical genre works, though it sits below the academic canonicity of literary fiction anchors like Gatsby or Beloved.

  10. No. 10 on this list. Brighton Rock

    Graham Greene · 1938

    Challenging8.8 hours

    Taught in schools: AQA GCSE and A-level English Literature (UK)

    Brighton Rock is firmly established in the British literary canon and is widely taught in UK secondary schools and universities as a key text in 20th-century British fiction. It appears on numerous 'best British novels' lists and is essential reading in any survey of modern British literature, though its canonical reach is stronger in Britain than globally.

11–20 · 109 hours
  1. No. 11 on this list. The Secret History · Donna Tartt · 1992

    The Secret History is widely assigned in university courses on contemporary American fiction, creative writing, and the campus novel. While it has not reached the universal curriculum status of mid-century classics, its presence in syllabi across English-speaking universities is substantial. Wikipedia covers the novel in 20+ languages, reflecting broad international readership.

    Challenging21 hours

    Start this book
  2. No. 12 on this list. Libra · Don DeLillo · 1988

    In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped. A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

    Challenging19 hours

    Start this book
  3. No. 13 on this list. The Black Echo · Michael Connelly · 1992

    Launched one of the most acclaimed detective series in modern crime fiction. Edgar Award winner.

    Easy6 hours

    Start this book
  4. No. 14 on this list. Red Harvest · Dashiell Hammett · 1929

    Listed on TIME's All-TIME 100 Novels and the Open Syllabus Top 500 for Literature, and published in prestigious Library of America and Everyman's Library editions. Wikipedia coverage in 9 languages indicates moderate global recognition. Canonical within hard-boiled and noir fiction but not widely taught outside genre studies courses.

    Challenging4.5 hours

    Start this book
  5. No. 15 on this list. The Mermaids Singing · Val McDermid · 1995

    Gold Dagger winner. Launched one of crime fiction's most acclaimed series.

    Easy6.5 hours

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  6. No. 16 on this list. The Goldfinch · Donna Tartt · 2014

    The Goldfinch is a Pulitzer Prize winner (2014) and a major bestseller, but it has not achieved the kind of sustained pedagogical presence associated with canonical American fiction. It rarely appears on university literature syllabi and sparked notable critical debate — including a prominent New York Review of Books dismissal by James Wood — that clouded its status as a serious literary achievement. It is widely read and culturally prominent, but not yet settled into the canon in the way of, say, Beloved or The Corrections.

    Challenging21 hours

    Start this book
  7. No. 17 on this list. Knots and Crosses · Ian Rankin · 1987

    Launched one of crime fiction's most acclaimed series. The definitive Edinburgh detective.

    Easy4.2 hours

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  8. No. 18 on this list. Enduring Love · Ian McEwan · 1997

    Enduring Love is among the most taught McEwan novels in British A-level curricula and university literature courses, particularly for its treatment of unreliable narration, the science-humanities divide, and de Clérambault's syndrome. It figures on numerous course syllabi in contemporary British fiction and narrative theory. Less globally canonical than Atonement but a fixture in serious literary education.

    Challenging6.9 hours

    Start this book
  9. No. 19 on this list. Your Face Tomorrow: Fever and Spear · Javier Marías · 2002

    Considered Marías's masterwork and one of the major European novels of the twenty-first century, though the trilogy's length limits its readership.

    Challenging11 hours

    Start this book
  10. No. 20 on this list. Deliverance · James Dickey · 1970

    Ranked 42nd on the Modern Library 100 Best Novels and included on TIME's All-TIME 100 Novels. Appears on 119 university syllabi (52nd percentile) and has Wikipedia articles in 36 languages, though some of that reach belongs to the 1972 film.

    Challenging8.6 hours

    Start this book
21–30 · 79 hours
  1. No. 21 on this list. Caleb Williams · William Godwin · 1794

    Caleb Williams appears regularly on 18th-century British fiction and radical novel syllabi in university English departments, taught alongside Godwin's political philosophy as a dramatization of his ideas in Political Justice. Available in roughly 40 Wikipedia language editions, it occupies a respected but not dominant position in the canon—essential for students of Gothic and political fiction, less so for general literature courses.

    Easy7.8 hours

    Start this book
  2. No. 22 on this list. The Driver's Seat · Muriel Spark · 1970

    Taught in British postmodernism and women's fiction courses, and appears on specialized reading lists for existential and experimental fiction. TIME magazine included it on their All-TIME 100 novels list. Not as ubiquitous on syllabi as Spark's 'The Prime of Miss Jean Brodie,' but recognized as a canonical text in postwar British fiction.

    Challenging2.5 hours

    Start this book
  3. No. 23 on this list. The Names · Don DeLillo · 1982

    The Names appears on graduate-level American literature and postmodernism syllabi but is overshadowed in curricula by White Noise and Underworld. It is considered essential reading for serious DeLillo study and frequently anthologized in discussions of 1980s American fiction, though it has not achieved the high-school curriculum presence of his more famous works.

    Challenging11 hours

    Start this book
  4. No. 24 on this list. The Birds and Other Stories · Daphne du Maurier · 1952

    'The Birds' is among the most recognized short stories in 20th-century British fiction, secured in the cultural consciousness by Hitchcock's 1963 film adaptation. The story appears regularly on British school syllabi and in anthologies of horror and psychological fiction. The rest of the collection occupies a respected but secondary position — 'The Apple Tree' and 'Kiss Me Again, Stranger' appear in some anthologies, but du Maurier's short fiction as a whole holds a lower academic profile than her novels. The collection does not feature on many university core reading lists outside British literature survey courses.

    Challenging8 hours

    Start this book
  5. No. 25 on this list. The Most Dangerous Game · Richard Connell · 1924

    Ranked by literary regard among eligible works in the current catalogue. This position reflects the available catalogue evidence.

    Easy30 min

    Start this book
  6. No. 26 on this list. Strangers on a Train · Patricia Highsmith · 1950

    No Open Syllabus or Wikipedia data is available in the database, but Highsmith's debut novel is recognized as a foundational text of American psychological crime fiction. It appears occasionally in university courses on crime writing and 20th-century American literature, though it lacks the broad curricular presence of canonical literary novels. Its Hitchcock adaptation (1951) has kept it in cultural circulation for over seven decades.

    Challenging8.7 hours

    Start this book
  7. No. 27 on this list. A Perfect Spy · John le Carré · 1986

    Widely regarded by critics as le Carré's best novel and one of the finest English novels of the 1980s, but spy fiction carries lower academic penetration than literary fiction regardless of quality. It appears in specialist courses on the Cold War novel and contemporary British fiction, and is regularly cited on 'best of the century' lists (Time, Modern Library), but is not yet a university syllabus fixture at the level of mainstream literary canon.

    Challenging15 hours

    Start this book
  8. No. 28 on this list. The Thirty-Nine Steps · John Buchan · 1915

    A foundational text in spy and thriller fiction, widely known across the English-speaking world with Wikipedia articles in 40+ languages and multiple film adaptations. Not a fixture on university literature syllabi the way canonical literary fiction is, but taught in genre studies, British literature surveys, and popular culture courses.

    Easy2.4 hours

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  9. No. 29 on this list. A Flag for Sunrise · Robert Stone · 1981

    A Flag for Sunrise appears on some university syllabi in courses on Cold War literature and political fiction but lacks the broad curriculum presence of canonical American novels. No syllabus data was found in the Open Syllabus database and Wikipedia coverage is absent. It is frequently cited in discussions of the best American political novels of the twentieth century but has not achieved high-school curriculum fixture status.

    Challenging14 hours

    Start this book
  10. No. 30 on this list. The Honorary Consul · Graham Greene · 1973

    Doctor Eduardo Plarr has spent years in a provincial Argentine town near the Paraguayan border, practicing medicine, conducting a quiet affair with a former brothel worker named Clara, and waiting for news of his father, a political prisoner across the river. When a group of guerrillas — led by his childhood friend, the former priest León Rivas — botches a kidnapping, they end up with Charley Fortnum: a minor British official, a drunk, Clara's husband, and the sort of man history overlooks entirely. Plarr is now implicated in everything. Greene sets his characters in a claustrophobic hut at the edge of the world and watches what they confess to each other under pressure. The result is a novel about complicity — how ordinary men find themselves inside catastrophes they neither planned nor can escape. A Marxist ex-priest still praying, a cynical doctor who keeps finding things he cares about, a forgotten consul who turns out to be harder to dismiss than anyone expected: Greene gives each of them a full interior life and then subjects that life to the pressure of a ticking clock. The irony runs throughout, but it never tips into contempt.

    Challenging9.2 hours

    Start this book
31–40 · 65 hours
  1. No. 31 on this list. The Reluctant Fundamentalist

    Mohsin Hamid · 2007

    Taught in schools: OCR GCSE and A-level English Literature (UK)

  2. No. 32 on this list. Killing Floor

    Lee Child · 1997

  3. No. 33 on this list. Native Speaker

    Chang-rae Lee · 1995

  4. No. 34 on this list. Eileen

    Ottessa Moshfegh · 2016

  5. No. 35 on this list. Felicia's Journey

    William Trevor · 1994

  6. No. 36 on this list. A Gun for Sale

    Graham Greene · 1936

  7. No. 37 on this list. The Orphan Master's Son

    Adam Johnson · 2013

  8. No. 38 on this list. The 39 Steps

    John Buchan · 1915

  9. No. 39 on this list. Birnam Wood

    Eleanor Catton · 2023

  10. No. 40 on this list. Gone Girl

    Gillian Flynn · 2012

41–50 · 94 hours
  1. No. 41 on this list. Damascus Gate

    Robert Stone · 1998

  2. No. 42 on this list. Room

    Emma Donoghue · 2010

  3. No. 43 on this list. Slow Horses

    Mick Herron · 2010

  4. No. 44 on this list. We Need to Talk About Kevin

    Lionel Shriver · 2005

  5. No. 45 on this list. Casino Royale

    Ian Fleming · 1953

  6. No. 46 on this list. The Cabin at the End of the World

    Paul Tremblay · 2018

  7. No. 47 on this list. The Stepford Wives

    Ira Levin · 2002

  8. No. 48 on this list. Sacred Games

    Vikram Chandra · 2006

  9. No. 49 on this list. The Devil's Star

    Jo Nesbø · 2011

  10. No. 50 on this list. Darkly Dreaming Dexter

    Jeff Lindsay · 2004

51–60 · 78 hours
  1. No. 51 on this list. Paris Trout

    Pete Dexter · 1988

  2. No. 52 on this list. Lies of Silence

    Brian Moore · 1990

  3. No. 53 on this list. Fingersmith

    Sarah Waters · 2002

  4. No. 54 on this list. Snap

    Belinda Bauer · 2018

  5. No. 55 on this list. My Sister, the Serial Killer

    Oyinkan Braithwaite · 2019

  6. No. 56 on this list. The North Water

    Ian McGuire · 2016

  7. No. 57 on this list. Leave the World Behind

    Rumaan Alam · 2020

  8. No. 58 on this list. Code Name Verity

    Elizabeth Wein · 2012

  9. No. 59 on this list. American Tabloid

    James Ellroy · 2001

  10. No. 60 on this list. Wool

    Hugh Howey · 2011

61–70 · 80 hours
  1. No. 61 on this list. The Kills

    Richard House · 2013

  2. No. 62 on this list. Saturday

    Ian McEwan · 2005

  3. No. 63 on this list. Smilla's Sense of Snow

    Peter Høeg · 1992

  4. No. 64 on this list. Running Dog

    Don DeLillo · 1978

  5. No. 65 on this list. The God of the Woods

    Liz Moore · 2024

  6. No. 66 on this list. The Perfect Nanny

    Leïla Slimani · 2016

  7. No. 67 on this list. Out

    Natsuo Kirino · 1997

  8. No. 68 on this list. Battle Royale

    Koushun Takami · 1999

  9. No. 69 on this list. Sweet Lamb of Heaven

    Lydia Millet · 2016

  10. No. 70 on this list. Black Water Rising

    Attica Locke · 2010

71–80 · 87 hours
  1. No. 71 on this list. Jamaica Inn

    Daphne du Maurier · 1936

  2. No. 72 on this list. The Industry of Souls

    Martin Booth · 1998

  3. No. 73 on this list. The Silence of the Lambs

    Thomas Harris · 1988

  4. No. 74 on this list. Red Dragon

    Thomas Harris · 1981

  5. No. 75 on this list. The Improbability of Love

    Hannah Rothschild · 2016

  6. No. 76 on this list. The Club Dumas

    Arturo Pérez-Reverte · 1993

  7. No. 77 on this list. In the Woods

    Tana French · 2007

  8. No. 78 on this list. The Girl with the Dragon Tattoo

    Stieg Larsson · 2005

  9. No. 79 on this list. Heretics of Dune

    Frank Herbert · 1984

  10. No. 80 on this list. The Exorcist

    William Peter Blatty · 1971

81–90 · 77 hours
  1. No. 81 on this list. The Only Good Indians

    Stephen Graham Jones · 2020

  2. No. 82 on this list. Number9Dream

    David Mitchell · 2001

  3. No. 83 on this list. Advise and Consent

    Allen Drury · 1960

  4. No. 84 on this list. Alas, Babylon

    Pat Frank · 1959

  5. No. 85 on this list. The Third Reich

    Roberto Bolaño · 2010

  6. No. 86 on this list. The Comfort of Strangers

    Ian McEwan · 1981

  7. No. 87 on this list. State of Wonder / The Song of Achilles / Painter of Silence

    Ann Patchett · 2012

  8. No. 88 on this list. Eye of the Needle

    Ken Follett · 1978

  9. No. 89 on this list. Misery

    Stephen King · 1987

  10. No. 90 on this list. The Troop

    Nick Cutter · 2014

91–100 · 61 hours
  1. No. 91 on this list. The Man Who Smiled

    Henning Mankell · 1994

  2. No. 92 on this list. The Complete Murderbot Diaries

    Martha Wells · 2020

  3. No. 93 on this list. Jurassic Park

    Michael Crichton · 1990

  4. No. 94 on this list. The Thirst

    Jo Nesbø · 2017

  5. No. 95 on this list. The Poet

    Michael Connelly · 1996

  6. No. 96 on this list. Firestarter

    Stephen King · 1980

  7. No. 97 on this list. The Alienist

    Caleb Carr · 1994

  8. No. 98 on this list. Complicity

    Iain Banks · 1993

  9. No. 99 on this list. Universality

    Natasha Brown · 2025

  10. No. 100 on this list. A Guardian and a Thief

    Megha Majumdar · 2025

About this list

These 100 books are the highest-scoring eligible thrillers currently in the catalogue. By literary regard, it opens with V., No Country for Old Men and The Secret Agent. About 863 hours of reading in all, for the 99 with measured lengths. Difficulty runs from 40 to 60 out of 100 for the middle half of the list; the summit is V. at 80.

This list is ranked by literary regard, with a consistent order for equal scores. Membership follows authors and co-authors, not translators or editors. Catalogue coverage and the historical canon both limit what this list can represent, and genre labels are the catalogue’s own, gathered into broader kinds.

When we matched the Canons dataset to our catalogue in October 2026, our canonical-status scores rose with the number of school curricula, publisher series and lists in it that cite a work: the median score was 72 for books one such source cites, 84 at two, 88 at three, 92 at four and 93 at five or more. Prizes are left out of that count. Outside the state curricula, the dataset’s sources choose mostly from what has been translated into English or French, so it is a weaker check on other literatures. Source: Canons (Andrew Piper), CC BY 4.0

Questions people actually ask

What are the best thrillers?
By literary regard, which weighs canonical status, critical standing and influence, V., No Country for Old Men, The Secret Agent, Cryptonomicon and Tinker Tailor Soldier Spy lead. ReadingRate ranks 100 such books, each with a difficulty score and a reading-time estimate.
Where should I start with thrillers?
Start from difficulty, not from rank. The most approachable books on this list that still carry top literary regard are The Black Echo by Michael Connelly (about 6 hours), The Mermaids Singing by Val McDermid and And Then There Were None by Agatha Christie.
How hard are thrillers to read?
Most of this list sits between 40 and 60 on ReadingRate's 100-point difficulty scale, where 40 to 55 is moderate. The summit is V. at 80. Every entry carries its own score, so a reader can pick a great book at a difficulty they will finish.
How is this list ranked?
On literary-regard data: how canonically established a work is, its critical standing, and its influence on later writing. It is not a readers’ poll, which is why recent bestsellers rarely appear. Membership follows authors and co-authors, not translators or editors. A list that is not a genre list keeps to literature (fiction, poetry, drama and philosophy), with philosophy taking no more than one slot in five while there is literature left to rank; every list holds at most three works by one author.