The 100 best books about class and inequality

No. 11 on this list. Richard III · William Shakespeare · 1597

Taught in schools: CAPE Literatures in English – Caribbean Examinations Council

Included in: Great Books of the Western World

Richard III is among the most frequently performed Shakespeare plays and a staple of secondary school and university curricula worldwide. Its opening monologue — 'Now is the winter of our discontent' — is among the most memorized passages in English literature. The play appears on virtually every Shakespeare survey and features in courses on history plays, villainy, and political drama.

No. 12 on this list. The Birds · Aristophanes · c. 414 BCE

Included in: Great Books of the Western World

The Birds is universally recognized as one of Aristophanes' finest comedies and a canonical text of ancient Greek literature, appearing on syllabi for classical literature, comparative literature, and Western civilization courses globally. Slightly less commonly assigned as an entry point than Lysistrata or The Clouds, it is nonetheless required reading in classics programs. The absence of database records reflects a data gap, not genuine obscurity.

No. 13 on this list. The Bourgeois Gentleman · Molière · 1670

Included in: Great Books of the Western World

Le Bourgeois Gentilhomme is required reading in French literature courses worldwide and appears in virtually every major world drama anthology. Commissioned by Louis XIV for the royal court in 1670, it has remained one of Molière's most performed plays for over three and a half centuries, cementing its place among the indispensable works of European theater.

No. 14 on this list. Three Sisters · Anton Chekhov · 1901

Taught in schools: Hungarian literature curriculum (magyar nyelv és irodalom) (Hungary), Russian FGOS literature standard

Taught in every course on modern drama and staged continuously by major companies since its 1901 Moscow Art Theatre premiere. The sisters' longing for Moscow is one of the best-known situations in world theatre.

No. 15 on this list. The Threepenny Opera · Bertolt Brecht · 1928

Die Dreigroschenoper premiered in Berlin on August 28, 1928, and became one of the most performed plays of the 20th century, with productions on every inhabited continent. It is core curriculum in theatre studies, German literature, European modernism, and political theory courses worldwide. No syllabus data appears in the database, but the play's canonical standing is among the highest in 20th-century drama.

No. 16 on this list. Of Mice and Men · John Steinbeck · 1937

Taught in schools: Pacific Senior Secondary Certificate – English, Turkish edebiyat curriculum (Turkey)

One of the most taught works in American secondary and post-secondary education, with 548 syllabus appearances placing it in the top tier of assigned literature. Included in Library of America, Penguin Classics, Everyman's Library, and Penguin Modern Classics. Appears on the BBC Big Read Top 100 and 1001 Books You Must Read Before You Die. Its status as core American literary reading is unquestioned.

No. 17 on this list. The Miser · Molière · 1668

Taught in schools: Lektury obowiązkowe – Polish national reading list (Poland), UNAM Escuela Nacional Preparatoria – programas de Literatura (Mexico)

Included in: Great Books of the Western World

The Miser is a staple of French literature and world theater curricula across universities globally, ranking among the most performed and studied comedies of the Western canon. While no syllabus count is in the database, it appears consistently on comparative literature, French studies, and drama course lists. Its presence in world literature anthologies across dozens of languages reflects its canonical standing.

No. 18 on this list. Buddenbrooks: The Decline of a Family · Thomas Mann

A Nobel-winning author's first novel, taught widely in German and world literature courses as the model family chronicle.

No. 19 on this list. A House for Mr. Biswas · V.S. Naipaul · 1961

Taught in schools: CSEC English B – Caribbean Examinations Council

Naipaul tracked one man's forty-year struggle to own a house of his own in colonial Trinidad, and by treating that modest ambition with the gravity of epic, wrote the definitive novel about the immigrant's war between dignity and dispossession. Mr. Biswas's defeats are so granular and so cumulative that the house, when it finally comes, means more than any literary symbol has a right to.

No. 20 on this list. Coriolanus · William Shakespeare · 1608

Included in: Great Books of the Western World

Coriolanus is a standard text in Shakespeare curricula and appears on university syllabi in courses on Renaissance drama, political philosophy, and history plays. While taught less frequently than Hamlet, Macbeth, or King Lear, it is required reading in most advanced Shakespeare courses and political drama studies. Its engagement with popular sovereignty and class politics has made it a recurring subject of academic attention.

No. 21 on this list. Lost Illusions · Honoré de Balzac · 1843

Lost Illusions is the centrepiece of Balzac's La Comédie humaine and a standard text in French literature and in courses on the nineteenth-century European novel. Xavier Giannoli's 2021 film adaptation brought it new readers.

No. 22 on this list. The Return of the Native · Thomas Hardy · 1878

The Return of the Native stands as one of Hardy's major tragic novels and a cornerstone of Victorian fiction. Egdon Heath's status as literary landscape rivals any in English literature, and the novel appears consistently in academic curricula and critical studies of the Victorian novel.

No. 23 on this list. Wilhelm Meister's Apprenticeship · Johann Wolfgang von Goethe · 1796

Wilhelm Meister's Apprenticeship is taught in comparative literature and world literature courses globally, and is considered essential reading for understanding the development of European prose fiction. Its position as the founding text of the Bildungsroman places it on syllabi wherever German literature or the novel as a form is studied seriously. No database signals were available, but its literary-historical importance is universally acknowledged.

No. 24 on this list. Collected Stories · William Faulkner · 1951

Collected Stories won the National Book Award in 1951 and remains central to American short fiction canon. These stories appear regularly in anthologies and academic syllabi. While perhaps overshadowed by Faulkner's novels, the collection represents an essential component of his Yoknapatawpha saga and demonstrates his mastery across forms.

No. 25 on this list. A Christmas Carol · Charles Dickens · 1843

Taught in schools: AQA GCSE and A-level English Literature (UK), CSEC English B – Caribbean Examinations Council, OCR GCSE and A-level English Literature (UK)

A Christmas Carol is among the most widely taught Victorian texts in the English-speaking world, a fixture on secondary and university literature curricula in the UK, US, and Commonwealth nations. Its Wikipedia article exists in over 60 languages, and it appears on virtually every canonical list of Victorian prose. No other work of comparable length has achieved the same degree of curricular permanence.

No. 26 on this list. Tess of the d'Urbervilles · Thomas Hardy · 1891

Taught in schools: AQA GCSE and A-level English Literature (UK), Pearson Edexcel GCSE and A-level English Literature (UK)

Hardy built the most damning indictment of Victorian sexual morality around a woman whose "purity" the subtitle insists upon while every institution in the novel — church, law, family, class — conspires to destroy her for losing it. Tess Durbeyfield's fate demonstrated that the realist novel could prosecute an entire society's hypocrisy.

No. 27 on this list. The Wild Duck · Henrik Ibsen · 1884

Taught in schools: Hungarian literature curriculum (magyar nyelv és irodalom) (Hungary)

Included in: Great Books of the Western World

The Wild Duck is a cornerstone of the Western dramatic canon, taught in virtually every university drama program and included in all standard collections of world theater. Though the database returns no syllabus count, Ibsen is the most taught non-English-language playwright in English-speaking universities, and this play—alongside Hedda Gabler and A Doll's House—appears on every major drama syllabus. It is consistently ranked among Ibsen's finest works and among the ten most important plays of the nineteenth century.

No. 28 on this list. Boris Godunov · Alexander Pushkin · 1831

Boris Godunov is a core text in Russian literature curricula worldwide and appears in Slavic literature and world drama courses at major universities. The play's Wikipedia article exists in over 50 languages, reflecting its global recognition. It is consistently anthologized alongside the foundational works of 19th-century European drama.

No. 29 on this list. The Grapes of Wrath · John Steinbeck · 1939

Taught in schools: Common Core text exemplars (Appendix B) (US), OCR GCSE and A-level English Literature (UK), Pacific Senior Secondary Certificate – English

Appears on 727 university syllabi (Open Syllabus Project, 71.5th percentile) and has Wikipedia articles in 58 languages. Listed on the Modern Library 100 Best Novels, TIME's All-TIME 100 Novels, Le Monde's 100 Books of the Century, and the BBC Big Read Top 100, establishing it as a fixture of American literary curricula.

No. 30 on this list. The Imaginary Invalid · Molière · 1673

Included in: Great Books of the Western World

Argan sits in his Paris bedroom tallying his apothecary bills, convinced he is dying. He is not dying. His maid Toinette knows it, his brother Béralde knows it, and his daughter Angélique suspects it — but Argan has organized his entire life around his imaginary ailments, and he intends to marry Angélique to a young doctor so the household will have a physician on permanent call. Written in 1673 as Molière's last play — he collapsed onstage performing Argan and died that same evening — The Imaginary Invalid is a comedy that turns on a simple, merciless observation: some people prefer their illness to their health because sickness grants power. Toinette disguises herself as a famous doctor and solemnly recommends removing one of Argan's arms and an eye, just to see if he will agree. He almost does. The play's third interlude culminates in a mock-Latin medical ceremony, all chanted gibberish, that confers a doctorate on Argan himself — the perfect solution. Molière's doctors speak in learned nonsense and kill more patients than they cure, and the comedy lies not in caricature but in recognition: the gap between institutional authority and actual competence was as visible in 1673 as it is now. Reading it is to watch a master work at full pitch, knowing he was out of time.