Hours at an average pace
Showing 100 books
About 883 hours for 100 of 100 books with measured lengths. Estimates use 250 words a minute, adjusted for each book's difficulty. At 2 hours a day, about 442 days for those books.
Foundational text of Chicana feminism, border studies, and queer theory. Universally taught in relevant fields.
The Dispossessed (1974) is one of the most taught science-fiction novels, read in courses on utopian literature, political philosophy and science fiction alike. It appears on most lists of essential science fiction and in the Library of America's edition of Le Guin's Hainish novels.
Widely taught in philosophy, ethics, and literature courses globally. Anthologized in hundreds of collections and featured on virtually every 'essential short fiction' list. Its presence in academic syllabi rivals Borges and Kafka in ethics curricula, where it functions as a standard thought-experiment text.
A landmark of Southern Gothic fiction and American literature, widely taught and critically analyzed. One of the defining novels of postwar American fiction.
Jacob's Room appears on virtually every university syllabus covering modernist British literature, Woolf's work, or the literature of WWI. As Woolf's first fully experimental novel, it holds a foundational position in the modernist canon — taught alongside Mrs. Dalloway and To the Lighthouse in most Woolf courses. Its canonical status is somewhat lower than Woolf's later masterworks, which overshadow it in general survey courses.
Pulitzer Prize finalist (2009) and the first entry in a trilogy whose second volume, The Round House, won the National Book Award. Taught in university courses on contemporary American and Native American literature, with an established academic presence in postcolonial and ethnic studies. Widely regarded as one of Erdrich's most formally accomplished novels.
Mehring, a wealthy Johannesburg industrialist, has purchased a farm outside the city—less for profit than as refuge from his collapsing marriage, his estranged radical son, and his unsatisfying affair. When a dead Black man is found on his land, hastily buried by police who cannot identify the body, Mehring treats it as bureaucratic nuisance rather than moral crisis. He prides himself on being a progressive landowner who pays fair wages and respects his workers, yet his liberalism cannot acknowledge the corpse as ancestral claim or historical reckoning. Gordimer narrates through Mehring's evasive consciousness, her prose registering the minutiae of farm management—cattle diseases, pasture conditions, labor arrangements—while circling obsessively around the burial site he tries to forget. The narrative crosscuts between his weekend visits and the farm's rhythms in his absence, where workers Jacobus and Solomon maintain routines inflected by meanings Mehring cannot access. When floods exhume the body, the workers perform proper burial rites, restoring him to the land in ceremonies that supersede Mehring's title deeds. Gordimer withholds resolution: Mehring remains uncomprehending, his ownership revealed as legal fiction layered atop deeper claims the novel anatomizes but does not resolve.
On Isle des Chevaliers, a Caribbean island reshaped by Haitian labor and American money, Valerian Street — a retired Philadelphia candy magnate — cultivates hydrangeas in his greenhouse and avoids his neighbors. His wife Margaret, his butler Sydney and cook Ondine, and his niece Jadine, a model trained in Paris, share the villa in a state of maintained tension. When Son — a Black American fugitive who stowed away on their supply boat — is discovered hiding in the house, he breaks open every unspoken arrangement the household depends on. Morrison uses the folk tale of the tar baby as the novel's armature: Jadine and Son become stuck to each other in a relationship that neither can survive and neither can leave. She embodies what he calls racial betrayal — educated in Europe, photographed in furs, at home nowhere. He embodies what she calls romantic primitivism — a man out of time, faithful to a Black Southern past that she finds suffocating. Morrison writes this conflict without a referee. The Caribbean setting is not backdrop but argument — the swamp, the rain forest, the blind horsemen who ride the hills at night all carry the weight of African spiritual history beneath the colonial surface. The novel ends on a mythic image: Son running toward those horsemen, Jadine flying back to Paris. Morrison offers no verdict on who was right.
After Randall Jarrell's landmark 1965 introduction rescued it from obscurity, the novel achieved masterpiece status, appearing on TIME's 100 Best English-language Novels 1923-2005. It remains continuously in print and features prominently in Women's Studies curricula. However, it lacks the universal recognition of Fitzgerald, Joyce, or Faulkner, occupying a tier below absolute canonical dominance despite critical consensus on its brilliance.
The most beautiful first novel of its generation. Ruth and Lucille's lives in Fingerbone, Idaho, Sylvie's transient existence—Robinson wrote prose like no one else. Core text in American literature courses. The novel launched a major career.
No. 11 on this list. The Mill on the Floss · George Eliot · 1860
Taught in schools: AQA GCSE and A-level English Literature (UK)
Firmly established in the Victorian literature curriculum and regularly taught in surveys of 19th-century British fiction. It stands as Eliot's second-most-studied novel after 'Middlemarch,' valued for its feminist themes, psychological depth, and semi-autobiographical portrayal of female intellectual awakening in a restrictive provincial society.
Challenging15 hours
Read nowNo. 12 on this list. The Beggar Maid · Alice Munro · 1980
Widely taught in Canadian literature courses and short fiction seminars as exemplary of Munro's mastery and the linked story collection form. The book helped establish Munro's international reputation and remains central to discussions of contemporary short fiction. It's considered essential reading for understanding both Canadian literature and the possibilities of the story cycle.
Moderate5.7 hours
Start this bookNo. 13 on this list. The Prime of Miss Jean Brodie · Muriel Spark · 1961
Taught in schools: CSEC English B – Caribbean Examinations Council
Regularly taught in British literature and women's studies courses, considered essential modern Scottish fiction. Appears on A-level syllabi and university 20th-century literature surveys. Not as universally taught as The Great Gatsby, but firmly established in academic curricula focused on postwar British fiction and modernist technique.
Challenging3.5 hours
Start this bookNo. 14 on this list. Burger's Daughter · Nadine Gordimer · 1979
Burger's Daughter appears on 68 university syllabi (Open Syllabus Project, 45.8th percentile), placing it firmly in postcolonial and African literature courses though not in the top tier of globally canonical texts. Wikipedia articles exist in 7 languages — modest compared to landmark novels — but the article runs to over 61,000 characters and includes a dedicated reception section, indicating sustained critical discourse.
Challenging13 hours
Start this bookNo. 15 on this list. Family Ties · Clarice Lispector · 1960
Family Ties appears regularly on comparative literature and Latin American literature syllabi worldwide, and Lispector is among the most studied Lusophone writers in university world literature courses. No syllabus count was captured in the database, but her work has sustained continuous academic inclusion since the 1960s. Hélène Cixous's book-length critical study of Lispector (The Stream Running Nowhere) cemented the collection's place in the Western literary canon.
Difficult3.6 hours
Start this bookNo. 16 on this list. Trust Exercise · Susan Choi · 2019
Won the 2019 National Book Award, establishing Choi as a significant contemporary voice. The novel represents a major contribution to metafictional literature and MeToo-era examinations of institutional abuse. While too recent for full canonical assessment, it has quickly entered graduate syllabi and is widely taught in creative writing programs as exemplary contemporary metafiction.
Challenging7.9 hours
Start this bookNo. 17 on this list. The Complete Stories · Clarice Lispector
Lispector holds a firm place in comparative literature and Latin American literature syllabi globally, and her work appears in women's writing and world literature courses at major universities. No Open Syllabus data is available for this specific collection, but Lispector as an author is consistently included in world literature canons alongside Borges and García Márquez. The 2015 New Directions translation by Katrina Dodson dramatically expanded her anglophone reach and prestige.
Difficult22 hours
Start this bookNo. 18 on this list. Roll of Thunder, Hear My Cry · Mildred D. Taylor · 1976
Taught in schools: CSEC English B – Caribbean Examinations Council, Singapore-Cambridge GCE O-Level Literature in English (2065)
Newbery Medal winner and a cornerstone of Black children's literature. Widely taught and frequently appears on essential reading lists.
Very Easy2.4 hours
Start this bookNo. 19 on this list. A Thousand Acres · Jane Smiley · 1992
A Thousand Acres won the Pulitzer Prize for Fiction in 1992 and secured major recognition as a contemporary American realist masterpiece. It occupies a prominent place in contemporary literary canon, particularly within discussions of feminist revision of literary inheritance and the domestic novel.
Moderate8.5 hours
Start this bookNo. 20 on this list. The Word for World Is Forest · Ursula K Le Guin · 1972
A fixture in SF studies, environmental humanities, and postcolonial literature courses at universities worldwide. Le Guin's work overall is more canonically established than this single novella — it appears regularly on SF syllabi and ecocriticism reading lists, taught alongside texts like Octavia Butler's Kindred and Kim Stanley Robinson's Mars trilogy, though without the 2000+ syllabus presence of Beloved or The Great Gatsby.
Moderate2.5 hours
Start this book
No. 21 on this list. A Number · Caryl Churchill · 2002
One of Churchill's most frequently performed plays and a standard text in contemporary drama courses. Widely recognized as a landmark of twenty-first-century theater.
Difficult58 min
Start this bookNo. 22 on this list. The Optimist's Daughter · Eudora Welty · 1973
The Optimist's Daughter won the Pulitzer Prize for Fiction in 1973 and is widely recognized as a major work of American letters, though it remains less universally anthologized than Welty's other stories. Its place in the canon is secure but somewhat specialized, firmly established in serious literary study.
Moderate2.8 hours
Start this bookNo. 23 on this list. Daniel Deronda · George Eliot · 1876
Daniel Deronda appears regularly on Victorian literature and nineteenth-century fiction syllabi at universities across the English-speaking world. While Middlemarch holds the stronger canonical position for Eliot, Daniel Deronda is widely assigned in courses on the Victorian novel, Jewish literature, and the literature of nationalism. Its Wikipedia article exists in numerous languages, reflecting its global scholarly recognition.
Challenging27 hours
Read nowNo. 24 on this list. Adam Bede · George Eliot · 1859
Adam Bede appears regularly on Victorian literature and 19th-century British fiction syllabi at universities worldwide, and is the standard entry point to George Eliot's work in courses that cannot assign the longer Middlemarch. It is included in most survey courses of the Victorian novel. Its canonical status within the Eliot corpus is secondary only to Middlemarch and The Mill on the Floss, but within the broader Victorian canon it holds a secure if not dominant position — consistently anthologized, consistently in print, and consistently cited as a foundational work of Victorian realism.
Moderate13 hours
Read nowNo. 25 on this list. The Accidental · Ali Smith · 2005
The Accidental has achieved recognition as a significant 21st-century British novel, appearing on university syllabi and contemporary fiction reading lists. While not yet established in the permanent canon, it represents Smith's breakthrough to major literary prominence and exemplifies post-2000 experimental domestic fiction. Its status continues to grow with Smith's increasing reputation.
Challenging7.1 hours
Start this bookNo. 26 on this list. The Sea, The Sea · Iris Murdoch · 1978
Winner of the Booker Prize in 1978 and widely regarded as one of Iris Murdoch's finest novels. Wikipedia articles exist in 9 languages. While not as universally assigned as postwar American canon fixtures, it appears regularly in British literature and philosophy-and-fiction courses.
Difficult29 hours
Start this bookNo. 27 on this list. Human Acts · Han Kang · 2014
Han Kang's Nobel Prize in 2024 elevated this novel's global profile significantly, but it appears on only 59 university syllabi (44th percentile in Open Syllabus) and has Wikipedia articles in just 5 languages. Curricular adoption outside Korean literature courses remains limited, though the Nobel will accelerate its integration into world literature programs.
Difficult6.7 hours
Start this bookNo. 28 on this list. She Came to Stay · Simone de Beauvoir · 1943
She Came to Stay is regularly taught in existentialist literature courses, feminist literary theory courses, and French literature curricula worldwide. It holds a firm position in the de Beauvoir canon alongside The Second Sex and The Mandarins. No database syllabus data was returned, but its presence in standard existentialism syllabi — typically paired with Sartre's Nausea or Camus's The Outsider — establishes it as institutionally canonical.
Challenging11 hours
Start this bookNo. 29 on this list. The Luminaries · Eleanor Catton · 2013
The Luminaries is a 2013 Booker Prize winner with 9 Wikipedia language editions and documented critical reception and adaptation sections. It is widely reviewed and taught in contemporary fiction courses, particularly in New Zealand and postcolonial literary contexts. However, its canonical standing remains early-stage: scholar citation counts are negligible, syllabus presence is limited compared to mid-20th-century Booker winners, and it has not yet accumulated the critical apparatus of fully canonical works. The Booker win places it above most contemporary literary fiction but its 2013 publication date means academic canonization is ongoing.
Challenging22 hours
Start this bookNo. 30 on this list. View with a Grain of Sand · Wisława Szymborska · 1995
Szymborska's poems are deceptively simple, their philosophical depths hidden beneath conversational surfaces. She writes about clouds and dreams and history, about the way reality keeps escaping our categories. 'We know ourselves only / as far as we've been tested.' This collection gathers work from across her career, establishing her as one of the essential voices of twentieth-century poetry. She won the Nobel Prize in 1996 for poems that are funny, humble, and vast.
Challenging43 min
Start this book
No. 31 on this list. Jack
Marilynne Robinson · 2020
No. 32 on this list. Under the Net
Iris Murdoch · 1954
No. 33 on this list. We Are All Completely Beside Ourselves
Karen Joy Fowler · 2014
No. 34 on this list. Woman on the Edge of Time
Marge Piercy · 1976
No. 35 on this list. The Round House
Louise Erdrich · 2012
No. 36 on this list. The Mandarins
Simone de Beauvoir · 1954
No. 37 on this list. The Paying Guests
Sarah Waters · 2015
No. 38 on this list. From the Mixed-Up Files of Mrs. Basil E. Frankweiler
E.L. Konigsburg · 1967
No. 39 on this list. Regeneration
Pat Barker · 1991
Taught in schools: AQA GCSE and A-level English Literature (UK)
No. 40 on this list. Bluets
Maggie Nelson · 2009
No. 41 on this list. Bonjour Tristesse
Françoise Sagan · 1954
No. 42 on this list. On Beauty
Zadie Smith · 2005
No. 43 on this list. Mary Barton
Elizabeth Gaskell · 1848
No. 44 on this list. Carpentaria
Alexis Wright · 2006
No. 45 on this list. The Sirian Experiments
Doris Lessing · 1981
No. 46 on this list. Burial Rites
Hannah Kent · 2014
No. 47 on this list. The Collected Stories
Deborah Eisenberg · 2011
No. 48 on this list. A Severed Head
Iris Murdoch · 1961
No. 49 on this list. The Fraud
Zadie Smith · 2023
No. 50 on this list. Briefing for a Descent into Hell
Doris Lessing · 1971
No. 51 on this list. Jerusalem
Selma Lagerlöf · 1901
No. 52 on this list. An Unsuitable Job for a Woman
P. D. James · 1972
No. 53 on this list. How Should a Person Be?
Sheila Heti · 2012
No. 54 on this list. Ancillary Sword
Ann Leckie · 2014
No. 55 on this list. A Tale for the Time Being
Ruth Ozeki · 2013
No. 56 on this list. The Mars Room
Rachel Kushner · 2018
No. 57 on this list. Love in the New Millennium
Can Xue · 2013
No. 58 on this list. The Mother
Grazia Deledda · 1920
No. 59 on this list. The Blood of Others
Simone de Beauvoir · 1945
No. 60 on this list. Ancillary Justice
Ann Leckie · 2013
No. 61 on this list. Frankissstein
Jeanette Winterson · 2019
No. 62 on this list. The Speed of Dark
Elizabeth Moon · 2003
No. 63 on this list. Ancillary Mercy
Ann Leckie · 2015
No. 64 on this list. Just Us
Claudia Rankine · 2020
No. 65 on this list. The Calculating Stars
Mary Robinette Kowal · 2018
No. 66 on this list. The Last Lover
Can Xue · 2005
No. 67 on this list. The Bastard of Istanbul
Elif Shafak · 2006
No. 68 on this list. Ducks, Newburyport
Lucy Ellmann · 2019
No. 69 on this list. The Sentence
Louise Erdrich · 2022
No. 70 on this list. Sleep Donation
Karen Russell · 2022
No. 71 on this list. Fledgling
Octavia E. Butler · 2005
No. 72 on this list. Strong Poison
Dorothy L. Sayers · 1930
No. 73 on this list. Manservant and Maidservant
Ivy Compton-Burnett · 1947
No. 74 on this list. The Mists of Avalon
Marion Zimmer Bradley · 1983
No. 75 on this list. Night and Day
Virginia Woolf · 1919
No. 76 on this list. A House and Its Head
Ivy Compton-Burnett · 1935
No. 77 on this list. The Blue Flower
Penelope Fitzgerald · 1998
No. 78 on this list. The Candy House
Jennifer Egan · 2022
No. 79 on this list. Reproduction
Louisa Hall · 2022
No. 80 on this list. Love and Other Thought Experiments
Sophie Ward · 2020
No. 81 on this list. A Psalm for the Wild-Built
Becky Chambers · 2021
No. 82 on this list. A Morbid Taste for Bones
Ellis Peters · 1977
No. 83 on this list. The Fountainhead
Ayn Rand · 1943
No. 84 on this list. Memoirs of a Polar Bear
Yoko Tawada · 2011
No. 85 on this list. The Sparrow
Mary Doria Russell · 1996
No. 86 on this list. The Far Pavilions
M.M. Kaye · 1978
No. 87 on this list. A Desolation Called Peace
Arkady Martine · 2021
No. 88 on this list. Daughter of the Moon Goddess
Sue Lynn Tan · 2022
No. 89 on this list. Valperga
Mary Shelley · 1823
No. 90 on this list. "A" Is for Alibi
Sue Grafton · 1982
No. 91 on this list. Black Water
Joyce Carol Oates · 1992
No. 92 on this list. Pure Colour
Sheila Heti · 2022
No. 93 on this list. State of Wonder
Ann Patchett · 2012
No. 94 on this list. Flush: A Biography
Virginia Woolf · 1933
No. 95 on this list. Dragonflight
Anne McCaffrey · 1968
No. 96 on this list. Written in the Stars
Alexandria Bellefleur · 2020
No. 97 on this list. The Autograph Man
Zadie Smith · 2003
No. 98 on this list. Ghettoside
Jill Leovy · 2015
No. 99 on this list. The Healing
Gayl Jones · 1998
No. 100 on this list. Here One Moment
Liane Moriarty · 2024
About this list
These 100 books are the highest-scoring eligible books about philosophy and ideas by women currently in the catalogue. About 883 hours of reading in all. Difficulty runs from 42 to 64 out of 100 for the middle half of the list; the summit is Black Water at 82.
This list is ranked by literary regard, with a consistent order for equal scores. Membership follows authors and co-authors, not translators or editors. A book is here when ReadingRate files it under Philosophy & Ideas as one of its primary reading domains, at a confidence of 0.8 or more. Catalogue coverage and the historical canon both limit what this list can represent.
When we matched the Canons dataset to our catalogue in October 2026, our canonical-status scores rose with the number of school curricula, publisher series and lists in it that cite a work: the median score was 72 for books one such source cites, 84 at two, 88 at three, 92 at four and 93 at five or more. Prizes are left out of that count. Outside the state curricula, the dataset’s sources choose mostly from what has been translated into English or French, so it is a weaker check on other literatures. Source: Canons (Andrew Piper), CC BY 4.0
Questions people actually ask
- What are the best books about philosophy and ideas by women?
- By literary regard, which weighs canonical status, critical standing and influence: Borderlands/La Frontera: The New Mestiza by Gloria Anzaldua, The Dispossessed by Ursula K Le Guin, The Ones Who Walk Away from Omelas by Ursula K Le Guin, Wise Blood by Flannery O'Connor and Jacob's Room by Virginia Woolf. ReadingRate ranks 100 such books, each with a difficulty score and a reading-time estimate.
- Which books about philosophy and ideas by women should I read first?
- Start from difficulty, not from rank. The most approachable books on this list that still carry top literary regard are Borderlands/La Frontera: The New Mestiza by Gloria Anzaldua (about 2.7 hours), Wise Blood by Flannery O'Connor and Tar Baby by Toni Morrison.
- What are the shortest of the best books about philosophy and ideas by women?
- Among the top 25, the shortest are The Ones Who Walk Away from Omelas by Ursula K Le Guin (about 40 min), A Number by Caryl Churchill (about 58 min) and Family Ties by Clarice Lispector (about 3.6 hours), at an average pace of 250 words a minute adjusted for each book's difficulty.
- Which of the best books about philosophy and ideas by women are the established classics?
- By canonical status, how firmly a book sits in curricula, anthologies and the canon: The Man Who Loved Children by Christina Stead, Borderlands/La Frontera: The New Mestiza by Gloria Anzaldua, Wise Blood by Flannery O'Connor, The Plague of Doves by Louise Erdrich and Roll of Thunder, Hear My Cry by Mildred D. Taylor.
- Can I read any of these books about philosophy and ideas by women for free?
- 8 of the 100 open in ReadingRate's reader with a free account, from public-domain editions: Jacob's Room, The Mill on the Floss, Daniel Deronda, Adam Bede, Jerusalem and 3 more.
- How long would it take to read the top ten?
- About 70 hours, at an average pace of 250 words a minute adjusted for each book's difficulty: 36 days at two hours a day. Set your own pace on the page and the list's reading times change to it.
- How hard are books about philosophy and ideas by women to read?
- Most of this list sits between 42 and 64 on ReadingRate's 100-point difficulty scale, where 40 to 55 is moderate. The summit is Black Water at 82. Every entry carries its own score, so a reader can pick a great book at a difficulty they will finish.
- How is this list ranked?
- On literary-regard data: how canonically established a work is, its critical standing, and its influence on later writing. It is not a readers’ poll, which is why recent bestsellers rarely appear. Membership follows authors and co-authors, not translators or editors. Lists by country, author, period, theme or difficulty keep to literature (fiction, poetry, drama and philosophy), their novels, poems and plays first and their philosophy after them; a list of a kind of book, such as memoir or criticism, keeps every book of that kind. Every list holds at most three works by one author. A book is here when ReadingRate files it under Philosophy & Ideas as one of its primary reading domains, at a confidence of 0.8 or more.





























