The 100 best books about art and creativity by men

No. 11 on this list. Peer Gynt · Henrik Ibsen · 1867

Peer Gynt is a cornerstone of the Scandinavian theatrical canon and is regularly staged worldwide, from the National Theatre to major European opera houses. Edvard Grieg's 1876 incidental music gave the work cultural reach extending far beyond theatre audiences. It appears on world drama syllabi internationally and is central to any survey of 19th-century European literature.

No. 12 on this list. The Lady with the Dog · Anton Chekhov · 1899

Taught in schools: Russian FGOS literature standard

Among the most anthologized and taught short stories in any language, a staple of fiction courses and writing workshops. It is frequently named as the greatest short story ever written.

No. 13 on this list. The Tower · William Butler Yeats · 1928

Yeats wrote the poems in this collection in his sixties, and the proximity of death stripped his verse of Celtic twilight and replaced it with granite: "Sailing to Byzantium," "Leda and the Swan," and "Among School Children" are here, each one forging private obsession into formal perfection. The volume represents the rare case of a major poet reaching his peak decades after his reputation was already secured.

No. 14 on this list. Harmonium · Wallace Stevens · 1923

Harmonium appears on thousands of university poetry syllabi and is a fixture of American modernism courses. It is regularly listed among the foundational texts of American poetry, alongside Whitman's Leaves of Grass and Eliot's Prufrock — despite the database showing no captured syllabus appearances, Stevens's place in the academic canon is among the most secure of any twentieth-century American poet.

No. 15 on this list. Coriolanus · William Shakespeare · 1608

Included in: Great Books of the Western World

Coriolanus is a standard text in Shakespeare curricula and appears on university syllabi in courses on Renaissance drama, political philosophy, and history plays. While taught less frequently than Hamlet, Macbeth, or King Lear, it is required reading in most advanced Shakespeare courses and political drama studies. Its engagement with popular sovereignty and class politics has made it a recurring subject of academic attention.

No. 16 on this list. Lost Illusions · Honoré de Balzac · 1843

Lost Illusions is the centrepiece of Balzac's La Comédie humaine and a standard text in French literature and in courses on the nineteenth-century European novel. Xavier Giannoli's 2021 film adaptation brought it new readers.

No. 17 on this list. Wilhelm Meister's Apprenticeship · Johann Wolfgang von Goethe · 1796

Wilhelm Meister's Apprenticeship is taught in comparative literature and world literature courses globally, and is considered essential reading for understanding the development of European prose fiction. Its position as the founding text of the Bildungsroman places it on syllabi wherever German literature or the novel as a form is studied seriously. No database signals were available, but its literary-historical importance is universally acknowledged.

No. 18 on this list. The Unnamable · Samuel Beckett · 1953

Included in: Bokklubben World Library

The Unnamable is taught in advanced modernism, postmodernism, and philosophy-of-language courses at universities worldwide, though less universally than Waiting for Godot. It anchors the Beckett Trilogy, which is among the canonical texts of twentieth-century literature in English and French. The Wikipedia and syllabus data signals appear underreported for this work.

No. 19 on this list. The Taming of the Shrew · William Shakespeare · 1594

Taught in schools: AQA GCSE and A-level English Literature (UK)

Included in: Great Books of the Western World

The Taming of the Shrew is a standard text in Shakespeare curricula and features regularly on university syllabi in courses on Renaissance comedy, gender, and marriage. It is among the most frequently performed Shakespeare comedies and is a near-universal assignment in courses on women in literature and feminist Shakespeare criticism. Its controversial content has, paradoxically, kept it central to academic discussion.

No. 20 on this list. Death in Venice · Thomas Mann · 1912

Included in: Great Books of the Western World

Death in Venice appears on virtually every German literature, European modernism, and queer theory university syllabus taught in the English-speaking world. It is a standard text in comparative literature programs alongside Kafka's Metamorphosis and Rilke's Duino Elegies. Wikipedia maintains articles on the novella in over 50 languages, and it features on most 'essential modern literature' lists.

No. 21 on this list. Collected Stories · William Faulkner · 1951

Collected Stories won the National Book Award in 1951 and remains central to American short fiction canon. These stories appear regularly in anthologies and academic syllabi. While perhaps overshadowed by Faulkner's novels, the collection represents an essential component of his Yoknapatawpha saga and demonstrates his mastery across forms.

No. 22 on this list. The New York Trilogy · Paul Auster · 1987

The New York Trilogy stands as the defining work of American postmodern noir and one of the most influential experimental novels of the 1980s. It appears consistently on syllabi for postmodern fiction, metafiction, and American literature courses, and is cited as a foundational text in discussions of the detective genre's literary transformation. Published in the US by Penguin Books (1987 combined edition), it has remained continuously in print for four decades. It appears on numerous "greatest novels" lists and is central to critical discourse on identity, authorship, and the limitations of language in contemporary fiction.

No. 23 on this list. Songs of Innocence and of Experience · William Blake · 1794

Taught in schools: AQA GCSE and A-level English Literature (UK)

Blake etched, printed, and hand-colored each plate himself, fusing lyric poetry with visual art in a form no one had attempted before. The paired "Lamb" and "Tyger" compress an entire theology into forty-four lines: innocence asks who made you; experience asks how dare He.

No. 24 on this list. Doctor Faustus · Thomas Mann · 1947

Routinely cited as Mann magnum opus and the great novel of German catastrophe. Taught as essential modernist text.

No. 25 on this list. Paterson · William Carlos Williams · 1963

Paterson is anthologized in every major American poetry collection (Norton, Heath, Library of America) and taught in American modernism, long poem, and 20th-century poetry courses at virtually every research university. It is one of the defining long poems of the American century, alongside The Waste Land, The Cantos, and Four Quartets. While less widely taught than Shakespeare or Fitzgerald, it occupies a canonical position in American literary studies comparable to Beloved (85).

No. 26 on this list. Shakuntala · Kalidasa · 400

Supreme Sanskrit drama; first Indian text to reach European audience.

No. 27 on this list. Amores · Ovid · c. 16 BCE

Ovid is twenty years old and Corinna will not open her door. So begins the Amores — forty-nine love elegies written in the 20s BCE by a Roman poet who understood, from the first poem, that wit is more powerful than sincerity. Cupid, he explains in Elegy I, stole a foot from his heroic hexameter and turned his epic into love poetry against his will. This is Ovid's characteristic move: mock complaint that reveals total mastery. The Amores catalogues an affair with the unnamed mistress Corinna — bribing her doorkeeper, watching her comb her ruined hair, mourning her parrot with the same hyperbolic grief he'd spend on a person, catching her in adultery and immediately forgiving her because she denied it too beautifully. Each poem is a rhetorical performance: Ovid argues, apostrophizes, invokes mythology, reverses himself, and lands a final turn with the timing of a practised comedian. He invented the mode of the suffering lover who is too articulate to suffer. Reading the Amores is to watch the cleverest poet in Rome construct the template that Petrarch would use a millennium later, and that has governed love poetry ever since — which is to say, Ovid built the room everyone else still lives in.

No. 28 on this list. Collected Poems of Derek Walcott · Derek Walcott · 1986

Nobel laureate and the defining poet of the Anglophone Caribbean. Central to postcolonial literature and increasingly recognized in the broader English-language canon.

No. 29 on this list. If Beale Street Could Talk · James Baldwin · 1974

Firmly embedded in the American literary canon, the novel appears on major school and university syllabi, was adapted into an Academy Award-winning 2018 film, and is routinely included in retrospectives of 20th-century African American literature. Its status as one of Baldwin's essential works is uncontested.

No. 30 on this list. Malone Dies · Samuel Beckett · 1951

Included in: Bokklubben World Library

A dying man named Malone lies in bed in a bare room, passing his final days by writing stories in an exercise-book. He announces a plan: to tell himself stories (about a man, a woman, an animal, a thing) and then compile an inventory of his possessions before death arrives. But the stories refuse to cohere. The boy Sapo, plump and plodding, drifts through tedious family scenes and visits to the Lambert farm, where Big Lambert buries his beloved mule and Mrs. Lambert despairs over lentils. Sapo inexplicably becomes Macmann, a vagrant later confined to the asylum of Saint John of God, where he conducts a grotesque romance with his nurse Moll. Between these fragmentary fictions, Malone interrupts constantly to comment on his own dissolution, his soup and chamber-pot, the mysterious hand that feeds him, the exercise-book he salvaged, the pencil with five faces. The stories and the frame narrative bleed together as Malone suspects he's describing himself again, that all his characters are masks for the voice that continues speaking even as narrative collapses. The promised inventory never arrives. Instead, the novel enacts a slow-motion death of story-telling itself, performed with extraordinary comic precision and metaphysical vertigo. Malone circles his own ending in spirals of increasing tightness, neither quite dying nor quite alive, waiting in the dark.