Hours at an average pace
Showing 100 books
About 707 hours for 99 of 100 books with measured lengths. Estimates use 250 words a minute, adjusted for each book's difficulty. At 2 hours a day, about 354 days for those books.
One of the most anthologised short stories in English and a standard school text.
No. 2 on this list. Frankenstein
Mary Shelley · 1818
Challenging8.8 hours
Taught in schools: AQA GCSE and A-level English Literature (UK), CSEC English B – Caribbean Examinations Council, Pearson Edexcel GCSE and A-level English Literature (UK)
Included in: Bibliothèque de la Pléiade
Frankenstein appears on 6,955 university syllabi according to the Open Syllabus Project, placing it in the 96th percentile of all tracked works. Wikipedia articles exist in 74 languages, with a 79,000-character article carrying dedicated Reception and Adaptations sections. It is taught not only in literature courses but in philosophy, bioethics, and technology studies worldwide.
No. 3 on this list. Wuthering Heights
Emily Brontë · 1847
Difficult14 hours
Taught in schools: AQA GCSE and A-level English Literature (UK), CAPE Literatures in English – Caribbean Examinations Council, CSEC English B – Caribbean Examinations Council
Included in: Bokklubben World Library
Appears on 4,582 university syllabi (91.5th percentile per Open Syllabus), placing it above most Victorian novels. Wikipedia coverage in 61 languages with dedicated reception and adaptations sections signals global canonical standing. Listed in 1001 Books You Must Read Before You Die and the BBC Big Read Top 100.
O'Neill dramatized his own family — the morphine-addicted mother, the alcoholic father, the doomed brother — with such lacerating honesty that he ordered the play sealed until twenty-five years after his death. The result is the most autobiographically raw masterpiece in American theater, a four-act cycle of blame and forgiveness that never grants its characters the relief of a resolution.
Ranked by literary regard among eligible works in the current catalogue. This position reflects the available catalogue evidence.
No. 6 on this list. The Turn of the Screw
Henry James · 1898
Difficult5.5 hours
Taught in schools: CSEC English B – Caribbean Examinations Council
Essential Gothic literature and James studies text; widely taught in ghost story, Victorian, and modernist courses; definitive example of narrative ambiguity and unreliable narration.
No. 7 on this list. Pedro Páramo
Juan Rulfo · 1955
Difficult3.6 hours
Taught in schools: Literatura, Diseño Curricular – Provincia de Buenos Aires (Argentina), UNAM Escuela Nacional Preparatoria – programas de Literatura (Mexico)
Included in: Bokklubben World Library
Pedro Páramo is the foundational text of Latin American modernism, present in nearly every world literature curriculum globally. Its Wikipedia article spans 26 languages. García Márquez credited it with teaching him how to write One Hundred Years of Solitude — a direct line of influence that alone ensures canonical permanence. Penguin Modern Classics published it in 1961.
Pablo Neruda wrote the poems of 'Residence on Earth' during his years as a Chilean consul in Burma, Ceylon, and Java — postings that left him profoundly isolated, surrounded by unfamiliar languages and dissolving heat. What came out was a poetry of radical disorientation: rain that rots wood, flesh that smells of brine, clocks that leak time like a wound. The opening poem, 'Galope Muerto,' begins mid-sensation: 'Like ashes, like oceans populating themselves, in the submerged slowness, in the shapeless.' There is no speaker announced, no situation established. The collection works entirely through image — blood, sea, bone, stone — stacked without logical mortar until the pressure of accumulated sensation becomes its own argument. 'Walking Around' describes a man so disgusted by modern life he wants to throw everything away, the umbrellas and the accountants and the stockings. 'Ode with a Lament' addresses an unnamed woman through images of shipwrecks and salt. The later sections shift toward political fury — odes to Madrid under bombardment, to Stalingrad, to Spain's dead — but even the political poems work through elemental image rather than rhetoric. This is poetry that does not explain itself. Readers who need a narrative thread or an argument will find none. Those willing to receive sensation as meaning will encounter one of the most physically intense bodies of verse written in the 20th century.
No. 9 on this list. The Strange Case of Dr Jekyll and Mr Hyde
Robert Louis Stevenson · 1886
Challenging1.9 hours
Taught in schools: AQA GCSE and A-level English Literature (UK), OCR GCSE and A-level English Literature (UK)
One of the most widely taught Victorian texts in English literature curricula at every level, from secondary school to university. The phrase 'Jekyll and Hyde' has entered common English as a synonym for dual personality. The novella appears on virtually every list of essential 19th-century fiction and is a fixture in Gothic literature, Victorian studies, and psychology-and-literature courses worldwide.
No. 10 on this list. The Tell-Tale Heart
Edgar Allan Poe · 1843
Moderate32 min
Taught in schools: Pacific Senior Secondary Certificate – English
It is recommended reading in the Pacific Senior Secondary Certificate English curriculum and is among the most widely taught American short stories in schools worldwide, comparable to Gatsby's classroom ubiquity in its own form.
No. 11 on this list. The Picture of Dorian Gray · Oscar Wilde
Taught in schools: AQA GCSE and A-level English Literature (UK), Pearson Edexcel GCSE and A-level English Literature (UK)
Included in: Oxford World's Classics
The Picture of Dorian Gray is standard reading in Victorian literature and aesthetic movement curricula worldwide. Though the database shows only 16 syllabus appearances due to limited data collection, the novel appears on virtually every canonical survey of English literature and has been in continuous print since 1890. It anchors discussions of aestheticism, decadence, and Victorian moral philosophy in university courses across the globe.
Challenging8 hours
Start this bookNo. 12 on this list. The Sandman · E.T.A. Hoffmann · 1816
The Sandman is canonical in German literature courses, Romantic literature surveys, Gothic fiction studies, and psychoanalytic literary criticism worldwide. Freud's 1919 essay 'The Uncanny' uses it as the central specimen, ensuring its presence on psychoanalysis and literary theory syllabi for over a century. While it lacks the broad English-language curriculum presence of Frankenstein or Great Expectations, it is effectively required reading in any serious study of German Romanticism, the Gothic tradition, or the history of uncanny fiction.
Difficult1.8 hours
Start this bookNo. 13 on this list. Dracula · Bram Stoker · 1897
Taught in schools: CSEC English B – Caribbean Examinations Council, Leaving Certificate English – NCCA / State Examinations Commission (Ireland), OCR GCSE and A-level English Literature (UK)
Included in: Bibliothèque de la Pléiade
Among the most famous novels ever written. Created the modern vampire and generated endless adaptation.
Moderate11 hours
Read nowNo. 14 on this list. The Legend of Sleepy Hollow · Washington Irving · 1820
One of the most widely taught early American short stories, regularly anthologized in school and college readers. It sits beside Rip Van Winkle as a foundation of American literature.
Moderate1.9 hours
Start this bookNo. 15 on this list. The Piano Lesson · August Wilson · 1987
The Piano Lesson is a fixture in American drama and literature courses, taught alongside O'Neill, Miller, and Williams as a canonical American play. It is the centerpiece of August Wilson's ten-play Pittsburgh Cycle, a sequence now treated as essential reading in university drama programs. Its Pulitzer Prize win and sustained presence in curricula place it well above mid-tier literary works.
Challenging2.9 hours
Start this bookNo. 16 on this list. The Queen of Spades · Alexander Pushkin · 1834
The Queen of Spades is a cornerstone of Russian literature curricula worldwide and one of the most-taught short fictions in Slavic studies programs. The Wikipedia article appears in 16 languages, reflecting significant global reach for a short story. Pushkin's tale is included in virtually every survey of Russian literature and in many world literature anthologies alongside Chekhov and Gogol.
Moderate32 min
Start this bookNo. 17 on this list. Wise Blood · Flannery O'Connor · 1952
A landmark of Southern Gothic fiction and American literature, widely taught and critically analyzed. One of the defining novels of postwar American fiction.
Moderate3.5 hours
Start this bookNo. 18 on this list. The Hound of the Baskervilles · Arthur Conan Doyle · 1902
Taught in schools: CSEC English B – Caribbean Examinations Council
Sir Charles Baskerville dies on the Dartmoor moors, terror on his face, a giant hound's footprints nearby. A family curse tells of a spectral hound hunting the Baskervilles since the seventeenth century. Dr. Watson investigates while Holmes stays in London—or so it seems. The moor is fog-bound, treacherous, Gothic; the solution is pure Holmesian reason. Doyle killed Holmes at Reichenbach Falls in 1893 and resisted resurrection. This novel, serialized in 1901-02, is set before the death and doesn't quite bring Holmes back. But the public devoured it, and Holmes returned in full the following year. The Hound works both as mystery and Gothic atmosphere—the moor becomes a character, the hound hovers between supernatural and rational explanation until the last act. This is Doyle's most novelistic Holmes story, and many readers consider it the best.
Easy3.5 hours
Read nowNo. 19 on this list. The Mystery of Edwin Drood · Charles Dickens · 1870
The Mystery of Edwin Drood appears regularly on Victorian literature and Dickens course syllabi at universities worldwide, taught both as a late Dickens text and as a unique object — a canonical novel frozen in its own incompletion. The unfinished mystery has been a pedagogical touchstone for discussions of narrative, authorship, and closure since Dickens's death. Its Wikipedia article exists in over 40 languages and includes dedicated sections on adaptations and reception, indicating significant global cultural reach beyond English-language scholarship.
Challenging6.9 hours
Read nowNo. 20 on this list. The Haunting of Hill House · Shirley Jackson · 1959
The Haunting of Hill House is widely recognized as the definitive American haunted-house novel and one of the finest works of Gothic fiction in the English language. It has been continuously in print since 1959 and is regularly taught in university courses on American literature, Gothic studies, and the horror genre. Stephen King called its opening paragraph the finest in the history of horror fiction. It appears on virtually every serious list of essential horror and Gothic novels and has been adapted for film (twice) and television (the acclaimed 2018 Netflix series).
Challenging4.7 hours
Start this book
No. 21 on this list. Blow-Up and Other Stories · Julio Cortázar · 1967
A landmark collection in Latin American literature and Cortázar's most widely read short fiction in English. The title story is anthologized constantly.
Moderate5.8 hours
Start this bookNo. 22 on this list. The Bloody Chamber · Angela Carter · 1979
Taught in schools: OCR GCSE and A-level English Literature (UK)
The Bloody Chamber is among the most-taught works of feminist fiction in British and American university literature programs, appearing on A-level and undergraduate syllabi across the English-speaking world for over four decades. It anchors feminist fairy tale criticism as a field and appears on most 20th-century fiction retrospective lists. Its canonical standing exceeds Infinite Jest (78) in terms of institutional adoption.
Difficult7.2 hours
Start this bookNo. 23 on this list. The Yellow Wall-Paper · Charlotte Perkins Gilman · 1892
It is a fixture of American literature and women's studies courses and widely anthologized. Its place sits just below the great canon, and the Open Library record lists it among open syllabus project works.
Moderate6.2 hours
Start this bookNo. 24 on this list. The Lottery and Other Stories · Shirley Jackson · 1949
The title story 'The Lottery' is one of the most anthologized and taught short stories in the American canon, appearing in virtually every introduction-to-fiction textbook. The collection itself appears regularly on American short-story syllabi. Jackson's work has experienced a major critical reassessment since the 2010s, elevating her from genre curiosity to recognized American master.
Moderate5.3 hours
Start this bookNo. 25 on this list. Sanctuary · William Faulkner · 1931
Taught in schools: CSEC English B – Caribbean Examinations Council
Sanctuary appears on 92 university syllabi (49th percentile on Open Syllabus) and Wikipedia carries articles in 29 languages. Library of America and NYRB Classics both publish it in prestige editions. It is taught consistently in American modernism and Southern Gothic courses, though overshadowed on syllabi by The Sound and the Fury and As I Lay Dying.
Challenging7.4 hours
Start this bookNo. 26 on this list. Mourning Becomes Electra · Eugene O'Neill · 1931
Included in: Great Books of the Western World
Widely regarded as O'Neill's masterwork alongside 'Long Day's Journey Into Night' and a defining achievement of American theater. The trilogy appears consistently in academic curricula for American drama and 20th-century literature. It represents the apex of O'Neill's ambitious attempt to transplant Greek tragedy onto American soil, and its exploration of psychological realism through classical form remains influential. While perhaps less universally known than some novels, it holds unquestioned status as a landmark of serious American theatrical literature.
Challenging4.4 hours
Start this bookNo. 27 on this list. Aura · Carlos Fuentes · 1962
Aura is assigned in Latin American literature courses across universities globally and anthologized alongside Pedro Paramo and One Hundred Years of Solitude as a defining text of the Latin American Boom. Its brevity makes it a frequent entry point for students encountering Fuentes or magical realism. It does not appear on as many syllabi as García Márquez's major novels but is among the most-taught works in comparative world literature curricula.
Difficult1.4 hours
Start this bookNo. 28 on this list. Hawksmoor · Peter Ackroyd · 1985
Hawksmoor holds significant position in postmodern British fiction and is widely taught in university literature courses. While not quite at the level of Ulysses or Beloved, it is consistently included in surveys of contemporary British literature and discussions of historiographic metafiction. The novel appears regularly on critical reading lists for postmodernism, Gothic revival, and late 20th-century British fiction, establishing its place in the extended literary canon.
Challenging9.4 hours
Start this bookNo. 29 on this list. The Blind Owl · Sadegh Hedayat · 1937
The Blind Owl is the most celebrated Persian-language novel of the twentieth century and the foundational text of Iranian modernist fiction, required reading in Iranian high schools and universities for generations. Its Wikipedia article exists in over 30 languages. In Western academic contexts it appears regularly on world literature syllabi, though with nothing like the penetration of canonical European modernist texts.
Difficult4.4 hours
Start this bookNo. 30 on this list. Dr. Jekyll and Mr. Hyde · Robert Louis Stevenson
Taught in schools: CSEC English B – Caribbean Examinations Council, Pearson Edexcel GCSE and A-level English Literature (UK)
No syllabus or Wikipedia data has been collected for this record yet, but the novella is a fixture of English curricula from secondary school through university, and "Jekyll and Hyde" has become common shorthand for a divided personality—cultural saturation on par with Frankenstein and Dracula.
Moderate1.7 hours
Start this book
No. 31 on this list. Sing, Unburied, Sing
Jesmyn Ward · 2018
No. 32 on this list. Evenings on a Farm Near Dikanka
Nikolai Gogol · 1832
No. 33 on this list. At the Mountains of Madness
H.P. Lovecraft · 1936
No. 34 on this list. Something Wicked This Way Comes
Ray Bradbury · 1962
No. 35 on this list. The Castle of Otranto
Horace Walpole · 1764
No. 36 on this list. Rebecca
Daphne du Maurier · 1938
Taught in schools: AQA GCSE and A-level English Literature (UK)
No. 37 on this list. Cromwell
Victor Hugo · 1827
No. 38 on this list. 1Q84
Haruki Murakami · 2009
No. 39 on this list. The Invention of Morel
Adolfo Bioy Casares · 1940
Taught in schools: Literatura, Diseño Curricular – Provincia de Buenos Aires (Argentina)
No. 40 on this list. Carmilla
Sheridan Le Fanu · 1872
No. 41 on this list. The Mysteries of Udolpho
Ann Radcliffe · 1794
No. 42 on this list. The Sandman, Vol. 1: Preludes & Nocturnes
Neil Gaiman · 1998
No. 43 on this list. The Call of Cthulhu and Other Stories
H.P. Lovecraft · 1928
No. 44 on this list. Of Love and Other Demons
Gabriel García Márquez · 1994
No. 45 on this list. The Ballad of the Sad Café
Carson McCullers · 1951
No. 46 on this list. The Monk
Matthew Gregory Lewis · 1796
No. 47 on this list. Ironweed
William Kennedy · 1984
No. 48 on this list. It
Stephen King · 1986
No. 49 on this list. The Witches of Eastwick
John Updike · 1984
No. 50 on this list. The Ghost Road
Pat Barker · 1995
No. 51 on this list. Child of God
Cormac McCarthy · 1973
No. 52 on this list. The Sandman, Vol. 2: The Doll's House
Neil Gaiman · 1995
No. 53 on this list. Black Hole
Charles Burns · 2005
No. 54 on this list. Kafka on the Shore
Haruki Murakami · 2001
No. 55 on this list. Löwensköld Trilogy
Selma Lagerlöf · 1925
No. 56 on this list. 62: A Model Kit
Julio Cortázar · 1968
No. 57 on this list. The Shining
Stephen King · 1977
No. 58 on this list. House of Leaves
Mark Z. Danielewski · 2000
No. 59 on this list. The Birds and Other Stories
Daphne du Maurier · 1952
No. 60 on this list. The City We Became
N.K. Jemisin · 2020
No. 61 on this list. Under the Sun of Satan
Georges Bernanos · 1926
No. 62 on this list. The Great God Pan
Arthur Machen · 1894
No. 63 on this list. Outer Dark
Cormac McCarthy · 1968
No. 64 on this list. Her Body and Other Parties
Carmen Maria Machado · 2017
No. 65 on this list. The Italian
Ann Radcliffe · 1796
No. 66 on this list. Coraline
Neil Gaiman · 2002
No. 67 on this list. Solenoid
Mircea Cărtărescu · 2025
No. 68 on this list. Gideon the Ninth
Tamsyn Muir · 2019
No. 69 on this list. Felicia's Journey
William Trevor · 1994
No. 70 on this list. The Little Stranger
Sarah Waters · 2009
Taught in schools: Pearson Edexcel GCSE and A-level English Literature (UK)
No. 71 on this list. The Mermaid of Black Conch
Monique Roffey · 2020
No. 72 on this list. The Willows
Algernon Blackwood · 1907
No. 73 on this list. Don't Look Now
Daphne du Maurier · 1971
No. 74 on this list. Annihilation
Jeff VanderMeer · 2014
No. 75 on this list. Things We Lost in the Fire
Mariana Enriquez · 2016
No. 76 on this list. Titus Groan
Mervyn Peake · 1946
No. 77 on this list. Fever Dream
Samanta Schweblin · 2017
No. 78 on this list. The Weird and the Eerie
Mark Fisher · 2017
No. 79 on this list. Get in Trouble
Kelly Link · 2016
No. 80 on this list. The Fisherman
John Langan · 2016
No. 81 on this list. Interview with the Vampire
Anne Rice · 1976
No. 82 on this list. Ghosts
César Aira · 1990
No. 83 on this list. Vathek
William Beckford · 1786
No. 84 on this list. Strange Pilgrims
Gabriel García Márquez · 1992
No. 85 on this list. The Empusium
Olga Tokarczuk · 2022
No. 86 on this list. The Romance of the Forest
Ann Radcliffe · 1791
No. 87 on this list. Her Fearful Symmetry
Audrey Niffenegger · 2010
No. 88 on this list. North Woods
Daniel Mason · 2023
No. 89 on this list. Melmoth the Wanderer
Charles Maturin · 1820
No. 90 on this list. The Lifted Veil and Brother Jacob
George Eliot · 1864
No. 91 on this list. Reading in the Dark
Seamus Deane · 1996
No. 92 on this list. The Sentence
Louise Erdrich · 2022
No. 93 on this list. The Children of the Dead
Elfriede Jelinek · 1995
No. 94 on this list. My Favorite Thing Is Monsters
Emil Ferris · 2017
No. 95 on this list. Beyond Black
Hilary Mantel · 2005
No. 96 on this list. The Hundred Secret Senses
Amy Tan · 1995
No. 97 on this list. The Dangers of Smoking in Bed
Mariana Enriquez · 2009
No. 98 on this list. Mouthful of Birds
Samanta Schweblin · 2009
No. 99 on this list. Ruby
Cynthia Bond · 2016
No. 100 on this list. The King in Yellow
Robert W. Chambers · 1895
About this list
These 100 books are the highest-scoring eligible supernatural and gothic books currently in the catalogue. About 707 hours of reading in all, for the 99 with measured lengths. Difficulty runs from 50 to 65 out of 100 for the middle half of the list; the summit is 62: A Model Kit at 87.
This list is ranked by literary regard, with a consistent order for equal scores. Membership follows authors and co-authors, not translators or editors. A book is here when ReadingRate files it under The Supernatural & Gothic as one of its primary reading domains, at a confidence of 0.8 or more. Catalogue coverage and the historical canon both limit what this list can represent.
When we matched the Canons dataset to our catalogue in October 2026, our canonical-status scores rose with the number of school curricula, publisher series and lists in it that cite a work: the median score was 72 for books one such source cites, 84 at two, 88 at three, 92 at four and 93 at five or more. Prizes are left out of that count. Outside the state curricula, the dataset’s sources choose mostly from what has been translated into English or French, so it is a weaker check on other literatures. Source: Canons (Andrew Piper), CC BY 4.0
Questions people actually ask
- What are the best supernatural and gothic books?
- By literary regard, which weighs canonical status, critical standing and influence: The Cask of Amontillado by Edgar Allan Poe, Frankenstein by Mary Shelley, Wuthering Heights by Emily Brontë, Long Day's Journey into Night by Eugene O'Neill and The Lottery by Shirley Jackson. ReadingRate ranks 100 such books, each with a difficulty score and a reading-time estimate.
- Which supernatural and gothic books should I read first?
- Start from difficulty, not from rank. The most approachable books on this list that still carry top literary regard are The Hound of the Baskervilles by Arthur Conan Doyle (about 3.5 hours), The Tell-Tale Heart by Edgar Allan Poe and The Legend of Sleepy Hollow by Washington Irving.
- What are the shortest of the best supernatural and gothic books?
- Among the top 25, the shortest are The Cask of Amontillado by Edgar Allan Poe (about 34 min), The Tell-Tale Heart by Edgar Allan Poe (about 32 min) and The Queen of Spades by Alexander Pushkin (about 32 min), at an average pace of 250 words a minute adjusted for each book's difficulty.
- Which of the best supernatural and gothic books are the established classics?
- By canonical status, how firmly a book sits in curricula, anthologies and the canon: Frankenstein by Mary Shelley, Long Day's Journey into Night by Eugene O'Neill, Wuthering Heights by Emily Brontë, Dracula by Bram Stoker and The Cask of Amontillado by Edgar Allan Poe.
- Can I read any of these supernatural and gothic books for free?
- 8 of the 100 open in ReadingRate's reader with a free account, from public-domain editions: Frankenstein, Wuthering Heights, The Turn of the Screw, The Strange Case of Dr Jekyll and Mr Hyde, Dracula and 3 more.
- How long would it take to read the top ten?
- About 52 hours, at an average pace of 250 words a minute adjusted for each book's difficulty: 26 days at two hours a day. Set your own pace on the page and the list's reading times change to it.
- How hard are supernatural and gothic books to read?
- Most of this list sits between 50 and 65 on ReadingRate's 100-point difficulty scale, where 40 to 55 is moderate. The summit is 62: A Model Kit at 87. Every entry carries its own score, so a reader can pick a great book at a difficulty they will finish.
- How is this list ranked?
- On literary-regard data: how canonically established a work is, its critical standing, and its influence on later writing. It is not a readers’ poll, which is why recent bestsellers rarely appear. Membership follows authors and co-authors, not translators or editors. Lists by country, author, period, theme or difficulty keep to literature (fiction, poetry, drama and philosophy), their novels, poems and plays first and their philosophy after them; a list of a kind of book, such as memoir or criticism, keeps every book of that kind. Every list holds at most three works by one author. A book is here when ReadingRate files it under The Supernatural & Gothic as one of its primary reading domains, at a confidence of 0.8 or more.





























