The 100 best books about race and colonialism by women

Beloved by Toni Morrison, Song of Solomon by Toni Morrison and The Bluest Eye by Toni Morrison lead the 100 best books about race and colonialism by women, ranked by literary regard. To start, Uncle Tom's Cabin by Harriet Beecher Stowe is the most approachable of the highly regarded books here, about 11 hours to read.

Each point of light is one of the 100, placed by how hard it is to read. The brighter, the higher it ranks. The dotted line is one way up.

100
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Very Easy3 booksEasy6 booksModerate34 booksChallenging45 booksDifficult12 books

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No. 1 of 100

Beloved

Toni Morrison · 1988

Difficulty 58/1007.4 hours

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Showing 100 books

About 733 hours for 100 of 100 books with measured lengths. Estimates use 250 words a minute, adjusted for each book's difficulty. At 2 hours a day, about 367 days for those books.

1–10 · 78 hours
  1. No. 1 on this list. Beloved

    Toni Morrison · 1988

    Challenging7.4 hours

    Taught in schools: Pearson Edexcel GCSE and A-level English Literature (UK)

    Included in: Bokklubben World Library

    Morrison made the ghost of a murdered child literal — she moves into the house, eats all the food, demands everything — and in doing so found the only form adequate to represent what slavery did to the interior lives of the people who survived it. The novel forced American fiction to reckon with a history it had aestheticized or avoided.

  2. Morrison sent a young Black man on a mythic quest through four generations of his family's buried history, fusing African-American folklore, biblical allusion, and the cadences of blues and gospel into a narrative structure no American novel had attempted before. The novel proved that flight — literal and metaphorical — could carry the full weight of Black American experience from slavery to self-knowledge.

  3. No. 3 on this list. The Bluest Eye

    Toni Morrison · 1970

    Challenging4.2 hours

    Taught in schools: Common Core text exemplars (Appendix B) (US)

    While not as universally canonical as Beloved, The Bluest Eye is firmly established in the American literary canon, widely taught in universities, and recognized as a landmark debut that announced a major voice in American letters.

  4. No. 4 on this list. Kindred

    Octavia E. Butler · 1979

    Challenging9.1 hours

    Taught in schools: CSEC English B – Caribbean Examinations Council

    Kindred is required reading in African American literature, American history, and science fiction courses at universities across the United States and internationally. It appears on the Modern Library's reader list of the 100 best novels and is frequently paired with primary sources on American slavery. Octavia Butler is the first science fiction writer to receive a MacArthur Fellowship, and Kindred is her most assigned work.

  5. No. 5 on this list. Wide Sargasso Sea

    Jean Rhys · 1966

    Challenging4.3 hours

    Taught in schools: CSEC English B – Caribbean Examinations Council, WJEC/Eduqas GCSE and A-level English Literature (UK)

    The postcolonial revision that changed how we read Jane Eyre. Antoinette/Bertha's story—the madwoman in the attic given voice—became essential feminist and postcolonial criticism. Core text in Caribbean literature and courses on literary rewriting.

  6. Lorde is taught across literature, gender studies and Black studies.

  7. While less universally beloved than Pride and Prejudice, Mansfield Park holds secure canonical status as Austen's most morally complex and tonally difficult novel. Its treatment of slavery, colonialism, and evangelical morality has made it increasingly central to academic study, though it remains somewhat less embraced by general readers than her lighter works.

  8. Uncle Tom's Cabin holds essential historical status in American literature and history curricula. Lincoln's alleged remark—'So this is the little lady who started this great war'—marks its political impact. The novel appears on lists of books that changed America, taught in courses on 19th-century literature, abolitionism, and protest fiction. Its canonical position rests on historical consequence more than literary innovation.

  9. Mehring, a wealthy Johannesburg industrialist, has purchased a farm outside the city—less for profit than as refuge from his collapsing marriage, his estranged radical son, and his unsatisfying affair. When a dead Black man is found on his land, hastily buried by police who cannot identify the body, Mehring treats it as bureaucratic nuisance rather than moral crisis. He prides himself on being a progressive landowner who pays fair wages and respects his workers, yet his liberalism cannot acknowledge the corpse as ancestral claim or historical reckoning. Gordimer narrates through Mehring's evasive consciousness, her prose registering the minutiae of farm management—cattle diseases, pasture conditions, labor arrangements—while circling obsessively around the burial site he tries to forget. The narrative crosscuts between his weekend visits and the farm's rhythms in his absence, where workers Jacobus and Solomon maintain routines inflected by meanings Mehring cannot access. When floods exhume the body, the workers perform proper burial rites, restoring him to the land in ceremonies that supersede Mehring's title deeds. Gordimer withholds resolution: Mehring remains uncomprehending, his ownership revealed as legal fiction layered atop deeper claims the novel anatomizes but does not resolve.

  10. Widely recognized as a cornerstone of post-colonial and South African literature. Appears consistently in university curricula and anthologies of significant twentieth-century short fiction. Represents a crucial moment in articulating apartheid-era social consciousness.

11–20 · 55 hours
  1. No. 11 on this list. Citizen: An American Lyric · Claudia Rankine · 2014

    Citizen has become required reading across university courses in American literature, race studies, creative writing, and cultural criticism within a decade of its 2014 publication—a speed of canonization rarely seen in contemporary poetry. It appears on hundreds of syllabi and on nearly every 'essential American poetry' list of the 2010s. Its Wikipedia article exists in multiple languages, and the book is cited in academic work across disciplines from legal theory to art history.

    Difficult1.7 hours

    Start this book
  2. No. 12 on this list. The Lover · Marguerite Duras · 1984

    Winner of the 1984 Prix Goncourt, 'The Lover' is widely taught in French literature, world literature, and women's studies courses. It is considered a landmark of autofiction and postcolonial literature. Its compact brilliance and thematic richness have secured its place in the modern canon.

    Challenging2.4 hours

    Start this book
  3. No. 13 on this list. To Kill a Mockingbird · Harper Lee · 1961

    Taught in schools: Cambridge IGCSE Literature in English (0475), Common Core text exemplars (Appendix B) (US), CSEC English B – Caribbean Examinations Council

    Appears on 1,674 university syllabi (80.6th percentile, Open Syllabus Project) and is a fixture of American high school and university English curricula. Wikipedia articles exist in 58 languages with dedicated reception and adaptations sections. Published by four prestige houses — Library of America, Everyman's Library, Penguin Classics, and Penguin Modern Classics — confirming its standing in the Western canon.

    Moderate6.3 hours

    Start this book
  4. No. 14 on this list. Death Comes for the Archbishop · Willa Cather · 1927

    The great American novel of Southwestern landscape and faith. Bishop Latour's decades in New Mexico became meditation on vocation, place, and mortality. Core text in American literature courses.

    Moderate4.5 hours

    Read now
  5. No. 15 on this list. Parable of the Talents · Octavia E. Butler · 1998

    Winner of the Nebula Award for Best Novel (1999). Widely taught in speculative fiction, Afrofuturism, and American dystopia courses. The Parable duology is among the most assigned works in contemporary SF syllabi and is firmly canonical within the genre; its canonical standing in broader American literary culture continues to grow.

    Challenging13 hours

    Start this book
  6. No. 16 on this list. Dawn · Octavia E. Butler · 1987

    Dawn is widely taught in university courses on science fiction, feminist literature, and Afrofuturism, though it has not penetrated standard high school curricula. Lilith's Brood is a fixture on syllabi focused on postcolonial SF and Black speculative fiction, placing it well above genre-only texts without reaching the near-universal status of Beloved.

    Moderate5.6 hours

    Start this book
  7. No. 17 on this list. Burger's Daughter · Nadine Gordimer · 1979

    Burger's Daughter appears on 68 university syllabi (Open Syllabus Project, 45.8th percentile), placing it firmly in postcolonial and African literature courses though not in the top tier of globally canonical texts. Wikipedia articles exist in 7 languages — modest compared to landmark novels — but the article runs to over 61,000 characters and includes a dedicated reception section, indicating sustained critical discourse.

    Challenging13 hours

    Start this book
  8. No. 18 on this list. Roll of Thunder, Hear My Cry · Mildred D. Taylor · 1976

    Taught in schools: CSEC English B – Caribbean Examinations Council, Singapore-Cambridge GCE O-Level Literature in English (2065)

    Newbery Medal winner and a cornerstone of Black children's literature. Widely taught and frequently appears on essential reading lists.

    Very Easy2.4 hours

    Start this book
  9. No. 19 on this list. The Word for World Is Forest · Ursula K Le Guin · 1972

    A fixture in SF studies, environmental humanities, and postcolonial literature courses at universities worldwide. Le Guin's work overall is more canonically established than this single novella — it appears regularly on SF syllabi and ecocriticism reading lists, taught alongside texts like Octavia Butler's Kindred and Kim Stanley Robinson's Mars trilogy, though without the 2000+ syllabus presence of Beloved or The Great Gatsby.

    Moderate2.5 hours

    Start this book
  10. No. 20 on this list. Tracks · Louise Erdrich · 1988

    A central work in Erdrich's interconnected cycle and widely taught in American literature courses. Considered one of her strongest early novels.

    Moderate4.1 hours

    Start this book
21–30 · 71 hours
  1. No. 21 on this list. Don't Let Me Be Lonely · Claudia Rankine · 2004

    Don't Let Me Be Lonely is taught widely in contemporary American poetry courses, hybrid-genre writing seminars, and courses on race and American literature, though no syllabus data was returned by the database. Rankine's later book Citizen eclipsed it in mainstream visibility, but this volume is recognized as the formal and thematic origin of her "American Lyric" project. It occupies a firm position in serious literary syllabi without approaching the ubiquity of canonical novels.

    Difficult2.7 hours

    Start this book
  2. No. 22 on this list. The Voyage Out · Virginia Woolf · 1915

    While not as frequently taught as Mrs Dalloway or To the Lighthouse, The Voyage Out appears on modernist literature syllabi and Woolf survey courses. As the first novel by one of English literature's most canonical authors, it holds a secure but secondary place in the canon compared to her later masterworks.

    Difficult15 hours

    Read now
  3. No. 23 on this list. Topdog/Underdog · Suzan-Lori Parks · 2001

    Regularly taught in American Drama and African American Literature courses at universities across the country, and a landmark of contemporary American theater. Its Pulitzer win and high-profile Broadway production have secured its place in the post-2000 dramatic canon. No syllabus data is available in the database, but the play's status as Parks' most-produced work and its historical Pulitzer distinction point to strong curricular presence.

    Challenging1.7 hours

    Start this book
  4. No. 24 on this list. Storyteller · Leslie Marmon Silko · 1981

    Storyteller appears on hundreds of university syllabi in Native American literature, American literature, and women's studies courses, making it required reading in its subfield. It is consistently cited among the essential works of Indigenous American writing and is included in major survey anthologies of American literature. While not at the saturation level of Beloved (85) or The Great Gatsby (95), it is a fixture in any serious Native American literature curriculum.

    Challenging4.9 hours

    Start this book
  5. No. 25 on this list. The Grass is Singing · Doris Lessing · 1950

    Taught in schools: CSEC English B – Caribbean Examinations Council

    Included in: Heinemann African Writers Series

    Regularly appears on postcolonial literature syllabi and is considered essential reading within Lessing's body of work. No syllabus data is available in the database, but the novel has maintained continuous presence in academic courses on African literature, colonial fiction, and twentieth-century British writing since its 1950 publication.

    Difficult8.6 hours

    Start this book
  6. No. 26 on this list. The Shawl · Cynthia Ozick · 1989

    The Shawl is a fixture in Holocaust literature courses and Jewish-American literature syllabi at American universities, and 'The Shawl' story is one of the most anthologized short pieces in postwar American fiction. Its canonical status within its domain is high; it does not, however, appear on the broadest general literature reading lists with the frequency of Morrison or Fitzgerald.

    Challenging1.7 hours

    Start this book
  7. No. 27 on this list. Jack · Marilynne Robinson · 2020

    Jack (2020) is the fourth novel in Robinson's Gilead series, which is increasingly taught in American literature and contemporary fiction courses. As a standalone it is more recent and less independently canonical than Gilead, but the series is considered among the defining American literary sequences of the 21st century. No syllabus data was captured in the database for this edition.

    Challenging9.5 hours

    Start this book
  8. No. 28 on this list. Brown Girl Dreaming · Jacqueline Woodson · 2014

    Brown Girl Dreaming is standard reading in American middle school and high school curricula, particularly in units on memoir, poetry, and Civil Rights-era literature. It appears on numerous recommended reading lists for young adults and is included in many school districts' required reading programs. Its canonical status is strong within YA and middle-grade education but has not yet reached the broader university literary canon.

    Easy1.9 hours

    Start this book
  9. No. 29 on this list. Purple Hibiscus · Chimamanda Ngozi Adichie · 2004

    Taught in schools: Leaving Certificate English – NCCA / State Examinations Commission (Ireland)

    Appears on 255 university syllabi according to the Open Syllabus Project, placing it in the 60th percentile of taught works. Wikipedia articles exist in 13 languages with a dedicated reception section. The novel is a fixture in postcolonial literature and African fiction courses, though it has not yet reached the ubiquity of authors like Achebe or Morrison in broader curricula.

    Challenging7.1 hours

    Start this book
  10. No. 30 on this list. Woman on the Edge of Time · Marge Piercy · 1976

    Widely taught in feminist literary studies, utopian fiction, and American literature courses since its 1976 publication, the novel holds a firm place in academic syllabi as a landmark of feminist science fiction. No syllabus count data is available, but its sustained presence across women's studies and speculative fiction curricula for five decades marks it as canonical within those fields, comparable in reach to other key feminist texts of the second wave.

    Difficult18 hours

    Start this book
31–40 · 63 hours
  1. No. 31 on this list. The Round House

    Louise Erdrich · 2012

  2. No. 32 on this list. Breath, Eyes, Memory

    Edwidge Danticat · 1994

  3. No. 33 on this list. Three Strong Women

    Marie NDiaye · 2009

  4. No. 34 on this list. Nervous Conditions

    Tsitsi Dangarembga · 1988

    Taught in schools: Lesotho literature in English

  5. No. 35 on this list. Them

    Joyce Carol Oates · 1970

  6. No. 36 on this list. The Buddha in the Attic

    Julie Otsuka · 2012

  7. No. 37 on this list. LaRose

    Louise Erdrich · 2016

  8. No. 38 on this list. Woman at Point Zero

    Nawal El Saadawi · 1975

  9. No. 39 on this list. Moon Tiger

    Penelope Lively · 1987

  10. No. 40 on this list. Annie John

    Jamaica Kincaid · 1985

    Taught in schools: CSEC English B – Caribbean Examinations Council

41–50 · 90 hours
  1. No. 41 on this list. The Secret River

    Kate Grenville · 2006

  2. No. 42 on this list. The Silence of the Girls

    Pat Barker · 2019

    Taught in schools: Leaving Certificate English – NCCA / State Examinations Commission (Ireland)

  3. No. 43 on this list. The Ghost Road

    Pat Barker · 1995

  4. No. 44 on this list. Delta Wedding

    Eudora Welty · 1946

  5. No. 45 on this list. In the Blood

    Suzan-Lori Parks · 1999

  6. No. 46 on this list. The Well of Loneliness

    Radclyffe Hall · 1928

  7. No. 47 on this list. Almanac of the Dead

    Leslie Marmon Silko · 1991

  8. No. 48 on this list. The Dew Breaker

    Edwidge Danticat · 2004

  9. No. 49 on this list. On Beauty

    Zadie Smith · 2005

  10. No. 50 on this list. Girl, Woman, Other

    Bernardine Evaristo · 2019

51–60 · 86 hours
  1. No. 51 on this list. Tripmaster Monkey: His Fake Book

    Maxine Hong Kingston · 1989

  2. No. 52 on this list. Binti

    Nnedi Okofor · 2015

  3. No. 53 on this list. Mr Loverman

    Bernardine Evaristo · 2013

  4. No. 54 on this list. Our Sister Killjoy

    Ama Ata Aidoo · 1977

  5. No. 55 on this list. A Question of Power

    Bessie Head · 1974

  6. No. 56 on this list. Small Island

    Andrea Levy · 2005

    Taught in schools: AQA GCSE and A-level English Literature (UK)

  7. No. 57 on this list. The Sea Wall

    Marguerite Duras · 1950

  8. No. 58 on this list. The Hate U Give

    Angie Thomas · 2017

  9. No. 59 on this list. The Long Song

    Andrea Levy · 2010

  10. No. 60 on this list. The Sirian Experiments

    Doris Lessing · 1981

61–70 · 61 hours
  1. No. 61 on this list. The Puttermesser Papers

    Cynthia Ozick · 1997

  2. No. 62 on this list. Americanah

    Chimamanda Ngozi Adichie · 2014

  3. No. 63 on this list. The Carpathians

    Janet Frame · 1988

  4. No. 64 on this list. Voyage in the Dark

    Jean Rhys · 1934

  5. No. 65 on this list. The City of Brass

    S.A. Chakraborty · 2017

  6. No. 66 on this list. The Fraud

    Zadie Smith · 2023

  7. No. 67 on this list. Swing Time

    Zadie Smith · 2017

  8. No. 68 on this list. Number the Stars

    Lois Lowry · 1989

  9. No. 69 on this list. Such a Fun Age

    Kiley Reid · 2020

  10. No. 70 on this list. The Empress of Salt and Fortune

    Nghi Vo · 2020

71–80 · 86 hours
  1. No. 71 on this list. Ordinary People

    Diana Evans · 2019

  2. No. 72 on this list. Noughts & Crosses

    Malorie Blackman · 2010

  3. No. 73 on this list. Homegoing

    Yaa Gyasi · 2016

  4. No. 74 on this list. A God in Every Stone

    Kamila Shamsie · 2015

  5. No. 75 on this list. The Fortune Men

    Nadifa Mohamed · 2021

  6. No. 76 on this list. Property

    Valerie Martin · 2003

  7. No. 77 on this list. The Poisonwood Bible

    Barbara Kingsolver · 1999

  8. No. 78 on this list. Heat and Dust

    Ruth Prawer Jhabvala · 1975

  9. No. 79 on this list. This Mournable Body

    Tsitsi Dangarembga · 2020

  10. No. 80 on this list. The Love Songs of W.E.B. Du Bois

    Honoree Fanonne Jeffers · 2021

81–90 · 73 hours
  1. No. 81 on this list. White Is for Witching

    Helen Oyeyemi · 2009

  2. No. 82 on this list. Barkskins

    Annie Proulx · 2016

  3. No. 83 on this list. Washington Black

    Esi Edugyan · 2018

  4. No. 84 on this list. Half Blood Blues

    Esi Edugyan · 2011

  5. No. 85 on this list. The Lowland

    Jhumpa Lahiri · 2013

  6. No. 86 on this list. How Much of These Hills Is Gold

    C Pam Zhang · 2020

  7. No. 87 on this list. Let Us Descend

    Jesmyn Ward · 2022

  8. No. 88 on this list. Just Us

    Claudia Rankine · 2020

  9. No. 89 on this list. Chains

    Laurie Halse Anderson · 2008

  10. No. 90 on this list. The Bastard of Istanbul

    Elif Shafak · 2006

91–100 · 69 hours
  1. No. 91 on this list. Far to Go

    Alison Pick · 2011

  2. No. 92 on this list. Our Lady of the Nile

    Scholastique Mukasonga · 2012

  3. No. 93 on this list. The Ten Thousand Doors of January

    Alix E. Harrow · 2019

  4. No. 94 on this list. My Favorite Thing Is Monsters

    Emil Ferris · 2017

  5. No. 95 on this list. The Moor's Account

    Laila Lalami · 2013

  6. No. 96 on this list. Pachinko

    Min Jin Lee · 2017

  7. No. 97 on this list. A Gate at the Stairs

    Lorrie Moore · 2010

  8. No. 98 on this list. Die Lücken

    Shida Bazyar · 2026

  9. No. 99 on this list. The Colony

    Audrey Magee · 2022

  10. No. 100 on this list. I Hotel

    Karen Tei Yamashita · 2010

About this list

These 100 books are the highest-scoring eligible books about race and colonialism by women currently in the catalogue. About 733 hours of reading in all. Difficulty runs from 50 to 65 out of 100 for the middle half of the list; the summit is Moon Tiger at 77.

This list is ranked by literary regard, with a consistent order for equal scores. Membership follows authors and co-authors, not translators or editors. A book is here when ReadingRate files it under Race & Colonialism as one of its primary reading domains, at a confidence of 0.8 or more. Catalogue coverage and the historical canon both limit what this list can represent.

When we matched the Canons dataset to our catalogue in October 2026, our canonical-status scores rose with the number of school curricula, publisher series and lists in it that cite a work: the median score was 72 for books one such source cites, 84 at two, 88 at three, 92 at four and 93 at five or more. Prizes are left out of that count. Outside the state curricula, the dataset’s sources choose mostly from what has been translated into English or French, so it is a weaker check on other literatures. Source: Canons (Andrew Piper), CC BY 4.0

Questions people actually ask

What are the best books about race and colonialism by women?
By literary regard, which weighs canonical status, critical standing and influence: Beloved by Toni Morrison, Song of Solomon by Toni Morrison, The Bluest Eye by Toni Morrison, Kindred by Octavia E. Butler and Wide Sargasso Sea by Jean Rhys. ReadingRate ranks 100 such books, each with a difficulty score and a reading-time estimate.
Which books about race and colonialism by women should I read first?
Start from difficulty, not from rank. The most approachable books on this list that still carry top literary regard are Uncle Tom's Cabin by Harriet Beecher Stowe (about 11 hours), Mansfield Park by Jane Austen and Six Feet of the Country by Nadine Gordimer.
What are the shortest of the best books about race and colonialism by women?
Among the top 25, the shortest are Citizen: An American Lyric by Claudia Rankine (about 1.7 hours), Topdog/Underdog by Suzan-Lori Parks (about 1.7 hours) and Don't Let Me Be Lonely by Claudia Rankine (about 2.7 hours), at an average pace of 250 words a minute adjusted for each book's difficulty.
Which of the best books about race and colonialism by women are the established classics?
By canonical status, how firmly a book sits in curricula, anthologies and the canon: Beloved by Toni Morrison, Uncle Tom's Cabin by Harriet Beecher Stowe, To Kill a Mockingbird by Harper Lee, The Bluest Eye by Toni Morrison and Song of Solomon by Toni Morrison.
Can I read any of these books about race and colonialism by women for free?
4 of the 100 open in ReadingRate's reader with a free account, from public-domain editions: Mansfield Park, Uncle Tom's Cabin, Death Comes for the Archbishop and The Voyage Out.
How long would it take to read the top ten?
About 78 hours, at an average pace of 250 words a minute adjusted for each book's difficulty: 40 days at two hours a day. Set your own pace on the page and the list's reading times change to it.
How hard are books about race and colonialism by women to read?
Most of this list sits between 50 and 65 on ReadingRate's 100-point difficulty scale, where 40 to 55 is moderate. The summit is Moon Tiger at 77. Every entry carries its own score, so a reader can pick a great book at a difficulty they will finish.
How is this list ranked?
On literary-regard data: how canonically established a work is, its critical standing, and its influence on later writing. It is not a readers’ poll, which is why recent bestsellers rarely appear. Membership follows authors and co-authors, not translators or editors. Lists by country, author, period, theme or difficulty keep to literature (fiction, poetry, drama and philosophy), their novels, poems and plays first and their philosophy after them; a list of a kind of book, such as memoir or criticism, keeps every book of that kind. Every list holds at most three works by one author. A book is here when ReadingRate files it under Race & Colonialism as one of its primary reading domains, at a confidence of 0.8 or more.